Digital BW, The Print

Roger,

I agree ICCs are the way to go, I'm getting better results with them than without them, but 
I'm also getting reasonably good results with this paper (similar situation to yours I 
expect, cut down to letter size for use with an R220 and MIS inks) using no ICC and 'Print 
with Preview' in Photoshop CS2.

I set the paper type to Premium Semigloss (which seems the closest in look of the other 
Epson papers to this paper), gamma at 2.2 (I use Gray Gamma 2.2 as my working space in 
Photoshop) and brightness -1, contrast +1.  Depending on the image, I'll take the 
maximum white value down to something like 248 or 245 using levels in PS just prior to 
printing to minimize gloss differential vs. paper white.

Images with large areas of black seem to print well and the blacks look good (I'd say PSG 
printed using Paul's ICC probably gets a better dmax, but I've no way to verify this).  I like 
the surface quality of this paper very much, just enough sheen to make the blacks look 
"lickable" (for lack of a better word), but not enough to distract overly with sparkles and 
reflections (which I find the case with, e.g., Premium Luster).  Reminds me of the look of 
well-done photo books from Phaidon, such as Magnum Degrees or Elliot Erwitt's Snaps.


--- In DigitalBlackandWhiteThePrint@..., "Roger" <rsmith02@...> wrote:
>
> Thanks Paul,
> I'm with you on the ICCs.  I don't have a flatbed scanner (only 
> dedicated film) and would have to send it out to be profiled.  If I 
> did want to get this paper profiled, do you have any idea what 
> settings to use?  
> My guess:
> Print w/preview "same as source"
> Then in Epson, the default settings you recommend with paper type as 
> Premium Semi-Glossy, gamma 1.8?
> 
> If I wanted to profile black only on Innova HW Cotton, what settings 
> would you recommend?  
> Paper type UPGPP, gamma 2.2, black only, sliders to 0?
> 
> Best,
> Roger
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" 
> <paul.roark@> wrote:
> >
> > I have not tried Premium Semimatte with the R220.  However, I'm 
> starting to
> > recommend the use of ICCs in printing, for example with respect to 
> the R220
> > and UT-R2 inkset. (See 
> http://home1.gte.net/res09aij/R220_R2_Readme.htm )
> > With that approach, one can quite easily make custom ICCs for new 
> papers. 
> > 
> > Roy's "Create ICC" should allow users to have perfect grayscale 
> ramps with
> > very little expense.
> > (See http://www.quadtonerip.com/html/QTRiccprofile.html )
> > 
> > Even if you have only a flatbed scanner, you can make custom 
> ICCs.  
> > (See http://home1.gte.net/res09aij/Making_B-W_ICCs.htm )
> > 
> > Hope this helps.
> > 
> > Paul
> > www.PaulRoark.com 
> > 
> > 
> > 
> > 
> > > -----Original Message-----
> > > From: DigitalBlackandWhiteThePrint@yahoogroups.com
> > > [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf 
> Of Roger
> > > Sent: Sunday, March 12, 2006 7:42 AM
> > > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > > Subject: [Digital BW] Epson Semi-Matte and R220 help
> > > 
> > > Hello,
> > > I have an Epson R220 and cut down some semi-matte to try with 
> it.  I
> > > really like the paper's surface but I'm having trouble finding 
> settings
> > > that work with it and MIS B&W inks.  Printing without an ICC 
> gives me a
> > > greyscale ramp that doesn't get nearly dense enough in the dark 
> areas.
> > > 
> > > I would appreciate any advice as to which paper type and other 
> settings
> > > to select in the driver.  Does anyone have an ICC for this paper 
> they
> > > could share or experience with whether this paper can yield good
> > > results in this printer?
> > > 
> > > After trying many different settings, the best results I've 
> gotten so
> > > far (still not that good) are using Paul Roark's ICC for Epson 
> Premium
> > > Glossy, setting paper to PGPP but setting gamma in the driver go 
> 2.2
> > > instead of 1.8.
> > > 
> > > 
> > > 
> > > 
> > > 
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