> From: Frank Kolwicz <kolwicz@...> wrote: > > It may sound or be impractical, but I've done this most effectively by > printing in two passes, one for B&W and one for color. I've even done > it with registration on two different printers, but that was a lot of > work and I found that for my purposes it was unnecessary. > > Separating the image allows control over the B&W that I think can get > seriously blunted if done in a single operation, either by Photoshop's > handling of the combined data or the printer driver. > Perhaps I'm not understanding the premise here, but I've done it two ways since inkjet printers were invented, and for many years before that in the darkroom with masking and pin registration for multiple exposures on 8X10 and 11X14 Ektachrome duping film. Now believe me, that was difficult! As Frank has written, I too have done multiple passes on the inkjet printer (2200) and the main problem was registration. However, unless you want to use a black inkset for one pass, and color inkset for the second, IMHO, there isn't a great need to even mess with registration at all. Most of my commercial work for 20 + years and some of my fine art work are photo collage. As a result I've often combined color and B&W, in one photo shop file, with multiple layers. Usually the base image is gray scale, and some elements are color. So I'll maximize the gray scale image to print neutral as an RGB file. Then I'll add the color elements as separate layers, and test print until the colors are exactly what I'm looking for, without touching any of the curves regulating the B&W portion. If you have good calibration, this is not too difficult to accomplish. When it all looks good, I'll flatten the file, which usually is for 30X40, and print smaller test sections of it on the 2200. When correct, I send out for large prints on a 9600, and they usually work out even better, because of the superior paper transport on that machine. I've not tried this with my 2400, with large prints on the 9800 yet, but I expect the results will be even better. Warning: the files get very large - sometimes over 3 Gb, so this is a very slow process! Clay Price
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Re: Blending BW and color in a single print
2006-03-09 by Clayton Price
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