So Anthony, How is the B/W digital printing going? What system do you have at home now? --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Anthony G. Atkielski" <anthony@a...> wrote: > Carolyn Frayn writes: > > > You lumped an entire user base into two categories. > > The reality is that the entire user base does fall roughly into those > two categories. People are either interested in computers for their own > sake, or they're not. The vast majority of people using computers today > are interested in computers as tools, not as ends in themselves. This > is quite a change from the early days of computers, when the only people > using them were computer geeks (and a handful of accountants or others > who absolutely could not do their job without computers, even in those > days). > > > I think of my computers as tools, and I upgrade, and I produce, I > > don't spend all my time tinkering.. I took exception to your > > absolutism. > > Why do you upgrade? > > > I could not produce what I do now if I was back on my little mac when > > first introduced to my graphic arts division... I could not work as I > > do now back on the DOS systems I used to debug for the sister end of > > same company. > > So you've only upgraded twice, from the old little Mac to a new OS X > Mac, and from a MS-DOS system to Windows XP? > > > As for Photoshop and older computer systems... gone are the days of > > having a smoke while an image did a little rotate... Applying > > corrections or elements and saving every iteration in case I have to > > go back... Creating alpha channels to mask, and most recently, jumping > > back and forth between 8 and 16 bit images to correct them. > > I have yet to see a system that can do anything in Photoshop on a > reasonably large image with no delay at all. For one thing, that would > require more memory than it is possible to configure on most systems. > > There are still some impressionist filters that I have in Photoshop > which might well take an hour or more to finish even on the fastest PCs > (needless to say, I don't use them under such circumstances). > > > I've had a few years of observations myself. I turned my commodore 64 > > monitor into a tv, it was still useful, the computer? No. I realize > > you are not referring to these old methods, but your statement seemed > > to relate a total negative stance on any developments. > > There's nothing wrong with upgrading when you _need_ to upgrade. But > most people don't need to upgrade ... they simply do so because they've > been conditioned to do so by vendors, and they never stop to critically > assess the real need (if any) for upgrades. > > The only people who look at upgrades with the critical view that they > merit are people who must maintain production, mission-critical systems, > or very large installed bases of computers. These people cannot afford > to blow money on useless upgrades, nor can they afford the high risks > associated with them. > > > Sure there are upgrades not worth the cost, I can't remember, but > > one I passed by in the PS line. > > So you've upgraded with every other version? What did you need in each > new version that you didn't already have? > > > If you are producing what you wish in PS5.5, and have no need to > > upgrade for a reason, then cool. If you are happy with your older > > smaller slower systems, then cool. I remember PS5 being a great leap > > from my previous versions. But I also remember how slow it all was. > > It does the job for me, particularly with photography, since photography > requires only a very limited set of tools (as compared with graphic art, > which requires a much larger set of tools). Photoshop CS has > activation, which corrupts the boot sectors of disks and destabilizes my > system, and potentially prevents me from working on critical projects. > It adds nothing that would be useful to me in exchange for this. It > costs too much money. And Adobe still doesn't fix fundamental problems > with the product, such as memory management--it just adds more bells and > whistles with each release, because it's a cheaper, shorter path to > revenue. > > > I believe this stuff advances faster than anything before it... I > > agree it's sometimes either hard to keep up or not worthwhile to some. > > But there are no absolutes. > > The basics of image manipulation have not changed in many years. > > > For me personally, the last two years of upgrades has given me a very > > significant time savings.. And that in turn increases revenue. > > How much of a net gain did you calculate as the direct result of > upgrades during your last audit? > > > On top of that, what I produce is more satisfying, I have the control > > I desire. > > You've had control with every version of Photoshop. If anything recent > versions do more and more on their own, without your control. > > > Can't imagine saving my 2Gig files to floppies either :) Another great leap > > for me, PS Large Document Format file saving.. Yahoo. > > You can't put 2 GB of information on a floppy, no matter what format you > use.
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[Digital BW] Re: I don't know a justification for CS in real photography
2005-03-09 by Jon Witsell
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