Digital BW, The Print

Ok I'll give it a try albeit with slightly different ink positions (in order
to keep PKN in the K position for both B&W and colour and to maintain the
UT7 LC and LM positions).


> From: Carl Schofield <scho@...>
 
> 
> Steve,
> 
> Prints look fine - no coarseness in the midtones as a result of leaving
> out the dark gray inks.  No swapping is necessary with the three K inks
> installed - all bases covered.  The warm PK is used with the warm UT7
> gray for the "carbon" and sepia profiles.  Yes, the neutral profile
> uses the UC_NEUTRALIZER to blend the LC and LM grays in equal
> proportions and if you define glop (LK) as the second gray ink for
> partitioning, but use the partition value for the LC or LM.  This will
> apply glop along the LC+LM curve only or you can edit the LK curve in
> the .quad file to change the glop distribution or use a glop toner
> curve.
> 
> Carl
> 
> On Feb 17, 2005, at 11:19 AM, Steve Kale wrote:
>