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Digital BW, The Print

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RE: [Digital BW] New to forum, excited to find that this exists!

2004-12-16 by Ken Carney

Hello, Keith.  You will no doubt receive much good advice here.  I have
(had) a fine darkroom for many years, printing silver on fiber paper and
platinum/palladium on hand-coated paper.  For the last few years, all
printing has been "digital", now on an Epson 2200 (I don't print very large)
with factory UC inks and the ImagePrint 6 RIP.  There are several other ways
to print b&w, but this one is fast and easy.  I like my Epson prints better
than my darkroom prints, but there is one thing: So far as I know, and I
would like to be corrected, there is no way to replicate the look of an
air-dried fiber print.  It's just something you have to get over, but once
behind glass I like my Epson prints (on good matte paper such as PhotoRag).
Most of the time in converting digital images to b&w I use a really useful
PhotoShop action which allows you to pick the film effect you want (e.g.,
TriX)in the channel conversion, and then in a second action set up the
"darkroom" for final adjustments.  Wish I could remember where I got it.

Regards,

  --Ken Carney
    www.kencarney.com  

> -----Original Message-----
> From: kwcoop2000 [mailto:drcooper@...] 
> Sent: Wednesday, December 15, 2004 12:27 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: [Digital BW] New to forum, excited to find that this exists!
> 
> 
> 
> 
> Hello-
> 
> I know that this is a group of experts and new "upstarts" are 
> probably a pain, but I'm glad to find what appears to be exactly 
> what I'm looking for.   I have a home darkroom and have labored over 
> my good 'ol chemicals for years.  I have also crossed into 
> the digital realm but been unable to reproduce what I can do 
> in darkroom when it comes to my preferred medium - black and 
> white.  I have an oodle of equipment but find myself still 
> getting my hands wet in the darkroom to get the prints that I 
> really want.
> 
> If you aren't already bored with my ramblings, I'd like some 
> advice based on your experience, and based on some of my 
> existing equipment.
> 
> I have a Nikon F100 and am very comfortable with Tri-X 400.  
> I have years of B&W negatives from my beloved old Leica M6 
> that I no longer own.  I process my own film at home and have 
> scanned some into my computer using a Nikon Coolscan IV ED 
> film scanner.  Then use PS Elements to tweek the images to my 
> liking (or at least the best they look on my standard Dell 
> CRT monitor).  But this is where it ends.
> 
> I have an Epson 785 EPX photo printer, but the black only 
> results are not good.  I usually just use basic black only 
> settings and Epson premium photo paper, glossy.  The prints 
> are dark gray and muddy and I can see print lines, even at 
> 28800 resolution printing.
> 
> I also take multitudes of digital images with a Nikon D100, 
> but I'm not as happy with these images when converted to 
> greyscale.  I really prefer the look and tonality of my Tri-X negs.
> 
> You guys appear to have pioneered into where I need to go 
> from here.  Any advice as to which steps I should take next? 
> 
> I can buy an Epson 1280 if it would do me some good. I don't 
> mind keeping my darkroom for film processing reasons, but 
> would love to use the benefits of Photoshop form tweaking my 
> images instead of printing in the darkroom.  I just need an 
> output that will give the good "black blacks" that I love 
> about my darkroom fiber prints.
> 
> Thanks for any advice you can share from you experience.
> 
> Keith W. Cooper
> Little Rock, AR
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
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