---I used to work for the Center For Creative Photogaphy in Tucson and for a short while at the Philadelphia Museum of Art. In Tucson that museum was set up by John Schaffer and Ansel Adams to store the finest American art photography of the late 19th and 20th centuries for posterity. What we did with everything ( including Eugene Smiths black cardborad drymounted, bleached silver prints ) was overmatt the prints with 4 ply rag board and rag mount. Then the prints were stored in a humidity and temperature controlled room in sealed boxes made by Spik and Gobork. Cold storage is best because it stops everything but is also impractical for showing work. john
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[Digital BW] Re: Toxic yellow photorag!
2004-10-26 by john dean
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