I'm not trying to 'sell' MIDI. I typically only use it for a modularized Sound Canvas. You can get interesting sounds by modifying the program change, not necessarily the notes. There are a couple of samples on my page: http://modularsynthesis.com/samples/samples.htm Circus, Nightmare, and Storm are examples. In one of these it's basically the same note with a different program change. Here's my point for MIDI. Consider it to be a simple serial communciations for expansion. The programming overhead is nil and there is lots of flexibility. You need more D/A's? Connect it to a PAiA MIDI2CV. Eight more 7 bit DAC's instantly available. In running status mode, it only takes 2 bytes for each DAC. You can send an update to all 8 DACs in less than 200 uS of program execution time. The actual serial transmission will take ~5 mS. Don't think 7 bits is enough? Consider them digital outputs. I have one program that drives twelve digital and one analog outputs. Have two ComputerVoltageSources? MIDI sysex would allow expansion and intermodule communication. Want to control some external SDI devices? A $3 Atmel processor can easily convert MIDI sysex messages to SPI. How about some external relays? My favorite is vactrols to interface external signal processors. I have a neat Ibanez digital delay that is only ~4 vactrols away from being interfaced to my PSIM. I can daisy chain my two displays together via MIDI sysex to have a 2x20 and a 2x8 display simultaneous. Delays do add up but are in the order of ~1 mS. Consider the possibilities of MIDI as a future expandability mechanism. Dave --- In ComputerVoltageSources@yahoogroups.com, "data2action" <rdrake@ ...> wrote: > I'm not much of a midi guy, so i might want one without DIN; someone > else might want to use the PCB to implement a dedicated quantizer or > arpegiattor, they might sacrafice almost everthing, even the serial > port...
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Re: Trial Faceplate Layout
2006-03-11 by djbrow54
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