First find a patch kind of "bassoony" (or any double-reed type instrument sound) on the AN1X, use it twice (layer the patch), detune + and - on the cents on each of the single patches until it sounds right. I hope I am using the proper terms here as I have number of synths and find it hard to keep all the terms straight for each one with its individual idiosyncrasies. If you can layer 3 patches of the same single patch, put one "in tune" and the other two detuned the same amount.....one on the + side, the other on the - side. That should get you close. I am not one to involve algebra in these kinds of things, just tweak, tweak, tweak till you get what you want...;-) (I did this on an Ensoniq TS-12 and the result was excellent. Order my cd if you want to hear it;-).....) Linda -- "I don't make music for sissies"--Charles Ives http://www.dachtyl.com/ tuskermusic wrote: > I am thinking two scenes, four oscillators, fairly thin pulse waves, > lots of pulse width modulation, lfo pitch modulation and chorus. A > little pitch bend (up?) on attack, maybe a a tiny bit of osc sync > swept by the pitch bend envelope to give that reedy squeal on the > attack. > > Does this sound right? How should I approach the patch? > > Jerry >
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Re: [AN1x] Sound design - bagpipes
2002-03-01 by Linda Dachtyl
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