Look, although Rich's tone is a bit harsh, I think he may have been responding to the original poster's comment about how it was "not easy to fit the AN1x into the mix", which I found to be a bit weird. Um, this sounds like one of those problems with using the wrong tool for the job... and since when did All Along the Watchtower have flying saucers in it? ;-\ About the VCA feedback - I agree that this board rocks, but Ray's analysis might be right - that is that the output stage can eaisly be overloaded. I think the manual even states that, so it offically becomes a "feature". Ha, so now you're back to some of the strangeness of true analog again, like having to memorize where to set the volume knob for some patches. I've got to do exactly that memorization with my Roland MKS-50 (rack Alpha Juno), which although it's a hybrid analog/digital and has presets... there are some timbres that sound great at a certain digital setting (envelope strength, filter resonance) which overloads the finals and gives ugly clipping or way too much loudness. When I back down on the digital parameters to compensate, the patch loses its character ----- therefore, I have to memorize the volume knob setting and back it off as much as necessary to fit the mix. Anyone else found this true? Ed Edwards Leader: Ezekiel's Wheel \ufffd\ufffd\ufffd\ufffdRetro-Progressive Rock\ufffd\ufffd\ufffd\ufffd http://www.untiedmusic.com/ezekiel http://artists.mp3s.com/artists/227/ezekiels_wheel.html \ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd \ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd\ufffd.\ufffd\ufffd
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Re: [AN1x-list] Digest Number 616
2001-12-19 by Ed Edwards
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