Archive of the former Yahoo!Groups mailing list: Mellotronists

 

jamierob54 wrote:

Any discussion of Tales of Topographic Oceans islikely to produce
strong reactions, one way or the other, and I realize that bringing
it up is risky. However, I feel it is worth noting here that the
latest Rhino re-release contains "studio run-throughs" of two of the
four parts, one of which is a fascinating display of raw Mellotron
work.  The second track on disk 2 is an apparently unprocessed
recording of a trial run of The Revealing Science of God, which is
educational for two reasons:

First, it dispels the rumour that Yes' long pieces were simply the
product of editing and splicing.  Both "studio run-throughs" makeit
clear that they played these songs in their entirety during the
development process.

Secondly, beginning at about the 10-minute mark, Wakeman's mellotron
is right up front in the mix with minimal, if any, processing or
effects.  Unlike the other 3 sections of Tales, most of the tronin
Revealing Science is violin, but it is fascinating to hear it so raw,
and you can really hear how he plays it.  It's also educationalto
compare the mellotron parts in the run-through with the studio
equivalent elsewhere on this release - it makes it much more apparent
the type of effects that were used.

By the way, if anyone knows for sure which strings these are, I'd
love to know.

Personally, I never tire of listening to Tales.  There is so much
going on from a mellotron standpoint, and much of it is subtle and
requires careful listening (I love the solo cello used in The
Ancient).  This new Rhino release is a wonderful window into whatis
really going on.

On the other hand, if you didn't like Tales before, this is hardly
going to change your mind.

-Jamie Robertson    M400 #380 (still in pieces)

---

Hi Jamie and gang,     Thanks very much for thatinfo !  I wasn't aware
that "Tales" was re-released on Rhino label.  Will have to goout
straightaway and look for it. Did you buy  it online, BTW ??

That double-LP was one of the first which I attempted to fully learn/play
way back then.  "The Remembering" contains many sweeping chord
sequences that still impart that "goosebump" feeling 30 years later!
Second only to "Close To The Edge"  title track.

I may have mentioned this before, but Wakeman cleverly cranked-up
his old CMC-10 at the end of  that tune and  in portionsof  "The Ancient",
to raise choir ,brass and strings an octave higher. Tested/tried thisin 1974
with my then-new M400, and sure-enough "that sound" was there !
So much for half-speed toggle-switch , eh ??  I rigged the stability control
from the CMC-10 with a cable to quickly change effects.

BTW, I love those two LP's from YES, and always will. -----Jerry Korb

(recently completed full restoration on MK-II/134 Pindertron, and already
preparing brain-cell space for next potential Mellotronic challenge....JK)