[sdiy] fixing the modular sequencer concept, epiphany & solution

[Anthony Bisset]

Hi SDIY,

I've recently had an epiphany after performing with my modular for a few
years.


Problem:

Milton, TKB and 249e are great, but almost useless for live performance
because - (a) they require the performer to explicitly patch the
destination modules and (b) they only have so many streams of available
gates and pitches coming out of them.

These sequencers leave the performer in the clutches of a paradox:
continuity is nearly impossible (or slipshod at best) *OR* musical
variation is missing (or slipshod at best).  External MIDI sequencers
converted to CV bring even more problems
a.) sloppy timing
b.) discourage improvisation (read fun) due to oodles of memory
c.) same fixed cabling problem as above

so......


Totally obvious solution(tm):

Behind each module of your modular embed a digital looping CV recorder
interfaced to your choice of CV points.  Add 2 global lines to
your system for all CV recorders::

a.) global clock
b.) CV input (this would usually distribute a ribbon or keyboard)

CV targets on each module would be assigned by retro-fitting
push/pull-pots so no cabling would be necessary, just pull the knob you
wish to sequence.

Finally, if you can spare any room above or below the module, add touch
plates for (stop/start :: record/clear :: loop/one shot :: reverse/forward
:: freerun/clock-sync :: quantize/normal +  quantize input jack).

Whoever can complete this mission will now have a modular that can be
played live.  Finally, Miles Davis will re-appear with a beat up PAIA and
teach us all to sing again.

If someone in the community has interested in producing a run of
boards for this specific purpose please contact me.  I'm going to be
retrofitting my serge/fenix to play this way and any suggestions or help I
can give/get is great.

-Anthony