Yamaha CS80

> -bart
>
> --- In arturiacs-80v@yahoogroups.com, "obwanz"
> <markstallings@c...> wrote:
> >
> > Hi All,
> >
> > Does anyone know perhaps how Eddie Jobson gets that
> sweeping, morphing
> > effect CS80 effect behind Allan Holdsworth's amazing guitar
> solo on In
> > The Dead Of Night? It almost sounds like it's being
> arppegiated, but
> > he's definately going back and forth between the 2 voices on
> the CS.
> > This has had me stumped for years. I almost think it could be a
> quirky
> > resonant hipass filter thing.
> >
> > Thanks in advance,
> >
> > Mark
> >
>

--- In yamahacs80@yahoogroups.com, David Rogoff <david@t...> wrote:
>
> oasysfan2 wrote:
> > Good question, Mark, and I've wondered about this for years
too.
> > My guess is an outboard analog sequencer or sample and hold
> > plugged into the CS-80 External Input modulating the VCF.
> >
> > Listen also to the last chord of Nevermore. This one also has
> > me stumped.
> >
> Are you talking about the sequencer-ish sound at the end? It's
also at
> the beginning of 'By the Light of Day'. I remember reading an old
> Keyboard Magazine interview with Eddie where he said it was some
kind of
> sequencer/synth that I never heard of. Anyone remember or have
that issue?
>
> David
> > -bart
> >
> > --- In arturiacs-80v@yahoogroups.com, "obwanz"
> > <markstallings@c...> wrote:
> > >
> > > Hi All,
> > >
> > > Does anyone know perhaps how Eddie Jobson gets that
> > sweeping, morphing
> > > effect CS80 effect behind Allan Holdsworth's amazing guitar
> > solo on In
> > > The Dead Of Night? It almost sounds like it's being
> > arppegiated, but
> > > he's definately going back and forth between the 2 voices on
> > the CS.
> > > This has had me stumped for years. I almost think it could be
a
> > quirky
> > > resonant hipass filter thing.
> > >
> > > Thanks in advance,
> > >
> > > Mark
> > >
> >
>