oasysfan2 wrote: > Good question, Mark, and I've wondered about this for years too. > My guess is an outboard analog sequencer or sample and hold > plugged into the CS-80 External Input modulating the VCF. > > Listen also to the last chord of Nevermore. This one also has > me stumped. > Are you talking about the sequencer-ish sound at the end? It's also at the beginning of 'By the Light of Day'. I remember reading an old Keyboard Magazine interview with Eddie where he said it was some kind of sequencer/synth that I never heard of. Anyone remember or have that issue? David > -bart > > --- In arturiacs-80v@yahoogroups.com, "obwanz" > <markstallings@c...> wrote: > > > > Hi All, > > > > Does anyone know perhaps how Eddie Jobson gets that > sweeping, morphing > > effect CS80 effect behind Allan Holdsworth's amazing guitar > solo on In > > The Dead Of Night? It almost sounds like it's being > arppegiated, but > > he's definately going back and forth between the 2 voices on > the CS. > > This has had me stumped for years. I almost think it could be a > quirky > > resonant hipass filter thing. > > > > Thanks in advance, > > > > Mark > > >
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Re: In The Dead Of Night
2006-01-27 by David Rogoff
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