The cabling goes to a switch on the organ that controlled the speed and switched the motor relay from fast (theatre) to slow (cathedral). You could change the wiring on the relay so it is always in fast, or devise a switch to somehow switch the motors from fast to slow. Also, the organ had a crossover in it so low frequencies did not go through the spectra tone. (especially the pedals). The big concentric plastic wheel on the side with the belt had a light in it to match the speed of the spectra tone to electronically simulate that through the straight organ speakers. There was much more to the circuitry than just hooking an amp up to the speaker terminals and plug it into ac. Hope this helps. Keith Niver Master Certified Wurlitzer Technician Certified MITA Technician -----Original Message----- From: vintagesynthrepair@yahoogroups.com [mailto:vintagesynthrepair@yahoogroups.com] On Behalf Of duncan Sent: Sunday, September 21, 2008 12:45 PM To: vintagesynthrepair@yahoogroups.com Subject: [vintagesynthrepair] Re: Wurlitzer Spectratone knowledge, this is a stretch I have a model-18 leslie, which is a normal 12" guitar speaker in a box & a motor-driven styrofoam drum in front of it, venting out through extra slots in the top & sides of an otherwise ordinary-looking guitar cabinet design. the motor has a speed switch, slow or fast (chorale or vibrato, in the proper leslie parlance, I believe. this is achieved by changing the connections to the windings in the motor. could it be that in dismantling the assembly, you've missed a connection somewhere? duncan.
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RE: [vintagesynthrepair] Re: Wurlitzer Spectratone knowledge, this is a stretch
2008-09-21 by Keith Niver
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