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Re: [newmellotrongroup] Re: Orchestrion becomes self-aware and replicates

2010-10-10 by Mark Pring

and thats wronger than what Rick does.

--- On Mon, 11/10/10, Mike Dickson <mike.dickson@gmail.com> wrote:

From: Mike Dickson <mike.dickson@gmail.com>
Subject: Re: [newmellotrongroup] Re: Orchestrion becomes self-aware and replicates
To: newmellotrongroup@yahoogroups.com
Received: Monday, 11 October, 2010, 5:22 AM







 



  


    
      
      
      

  
  
    Why do you say that? 

    

    I think he's about as wrong as it's possible to get.

    

    On 10/10/2010 02:44, fdoddy@aol.com wrote:
    
       
      
          
            Woah!  Yo dog!  You
                  been hangin' wit Mike D ?
                   

                  
                   

                  
                   

                  
                   

                  
                  -----Original Message-----

                    From: Mark Pring <markpringnz@yahoo.com>

                    To: newmellotrongroup@yahoogroups.com

                    Sent: Sat, Oct 9, 2010 8:14 pm

                    Subject: Re: [newmellotrongroup] Re: Orchestrion
                    becomes self-aware and replicates

                    

                    
                       
                      
                        
                          
                            
                              
                                
                                  
                                    I think sloppy suits
                                      music composed after Bach but not
                                      before. Apart from Gould and
                                      Tureck some of my favourite Bach
                                      is direct midi output, more often
                                      than not the performer and their
                                      interpretation just get in the
                                      way, music written after Bach is
                                      so bereft of ideas that you need a
                                      "performance" from the player just
                                      to cover up the vacuum at the
                                      heart of the music.  

                                      

                                      Mark

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