Although I may be a bit late to the party, I like to share my idea about this topic:) Best thing you can do here is replacing all the discrete components with one but programmable chip: an FPGA. I think there are small ones out there, but they will allow to do nearly everything you want with the clock signal. Just take a look at http://www.fpga4fun.com/index.html or fpgacentral.com, there are many resources for these things. There is a bit of learning curve to master this chips, but you can do many things with it if you are willing to do:) --- In korgpolyex@yahoogroups.com, Michael Hawkins <korgpolyex800@...> wrote: > > Detune is based upon IC20 (74HC393), IC19 (74HC151) and logic parts of IC17 and > IC18. > > It is marked on the schematic as section "22" and in the service manual it is > explained there. > > The Poly-800 has one master oscillator. Pitch bend and DCO modulation signals > are injected into the master oscillator. > > The master clock is fed directly into CLK1 on the DCO tone generator (marked on > the schematic as "K". > > The detuned clock takes the master clock as its input source, detunes it and > then feeds it into CLK2 on the DCO tone generator. Marked as "J". > > Mike > > > > > ________________________________ > From: microbugix <springmauser@...> > To: korgpolyex@yahoogroups.com > Sent: Sat, February 19, 2011 6:21:46 PM > Subject: [korgpolyex] Re: the synth architecture > > > Michael, > > can you give me a hint which components belong to the detune circuit? Is ot > IC17/18? I take a look at the schematics but on my 19" monitor I still have no > overwiew, think I should get it printed:) > > Im remember well the unison detune circuit of my Polysix, it was simple, but > clever: an additional 4051 just added switched positive or negative offsets to > the osciallator CVs. On the 800 it is a digital circuit I think. > > --- In korgpolyex@yahoogroups.com, Michael Hawkins <korgpolyex800@> wrote: > > > > the detune circuit is just begging for some one to come along and design a much > > > > more fine tuned detuned. > > > > But, keep in mind that the MSM5232 chip uses two clocks which then feeds into > > the two banks of 4 DCO's. > > > > So if someone comes up with a great detune circuit, it is still only going to > > affect DCO1 to DCO2 detuning. And it won't detune all DCO's. > > > > The four DCO's will still be in pure tune and then the other four DCO's will be > > > > in perfect tune. The two clocks detuned would at least detune the two pairs of > > > DCO's. So that would be great. > > > > Mike. > > > > > > > > > > ________________________________ > > From: k9k9dog <domgoold@> > > To: korgpolyex@yahoogroups.com > > Sent: Tue, February 15, 2011 2:57:30 PM > > Subject: [korgpolyex] Re: the synth architecture > > > > > > ok; so single (D)CF, post VCAs. eg, mix pre-filter.then, i guess, > > another vca to set output level? > > > > in synthedit, it made sense to share a filter to save cpu on a > > recent project, but that was pre vca/pan and mix/level. > > > > interested you say there 8 oscillators, whereas i was suspecting > > a single osc, with freq/dividing to produce divisions/harmonics. > > > > so this could suggest independent outputs and operation? detuning? > > i find the detuning a bit unimpressive, tbh, just semi's, whereas > > somethign finer could really fatten things up a bit. and phasemod > > and stuff like that... > > hey, i haven't seen/used my ex800 (poly1) for some time, so i forget > > a bit. wdf, it has it's own character, within what it has. > > > > i'll look for the stuff you mention, but would like something > > 'from the horse's mouth', eg this group of interested users, > > from the circuit-bending viewpoint, for purpose of discussion. > > (i ain't going in there messing things up) > > > > my main reference atm is synthedit, which has allowed me to > > experiment with things like phase etc. just means i can plug > > things in without breaking anything... > > > > --- In korgpolyex@yahoogroups.com, Paul Cunningham <paul@> wrote: > > > > > > the main difference with the Poly-800 series as opposed to other polysynths > >of > > > > >the era is that all eight oscillators are first routed through their own > > >amplifier, and then through a *shared* 4-pole filter. this makes it a unique > > >instrument to play harmonically -- something between a polysynth and a > > >monosynth. all of the other synths you mentioned use the more traditional > > >polysynth architecture which provides each voice it's own filter and > >amplifier, > > > > >with the filter before the amplifier. -pc > > > > > > > > > On Feb 14, 2011, at 3:44 PM, k9k9dog wrote: > > > > > > > wondering what a block diagram of this synth > > > > would look like. as in, a kind of signal flow > > > > diagram or something like that. > > > > > > > > just wondering about theoretical possibilities > > > > (and impossibilities) for future ideas; > > > > for instance, taking separate harmonics and > > > > rerouting them, ringmod options, stuff like that? > > > > > > > > i'd like to know more about what's going on inside, > > > > how it compares,say, to juno's jp's and jx's. some > > > > kind of assessment/description of the osc+filter etc. > > > > circuitry. > > > > > > > > > > > > > >
Message
Re: the synth architecture
2011-05-03 by microbugix
Attachments
- No local attachments were found for this message.