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Re: sts in general

Re: sts in general

2002-07-08 by Kirk Degiorgio

Hi RM

I agree and sympathise with every point you make. Thx for such a
constructive post.

I would like to repeat a point I made in a recent post that nobody seemed
interested in replying to. It is about the introduction of new modules
rather than the
'whole panel' issue.

When Rex took over the reins from Serge T.
was is it on the understanding that the Serge System would develop, modify
and expand in capabilities
or was the understanding/agreement to stay true to the original designs with
only minor alterations.

If Rex added VC Reverbs, multi-stage envelopes, 4 pole filters, wavetable
oscillators, etc, etc - would the system
become something completely different? Does the Serge have a 'sound' in the
way a Moog Modular or ARP 2500, etc
does? I believe it does. Would this be lost if new modules were introduced
as some has asked, or even if modules were made with more up-to-date
methods/components as has been suggested?

The Serge is a strange beast because it is a classic instrument that is
still under manufacture... the issues of improved/new
modules is more sensitive because of this. Modcan, MOTM, synth.com, etc are
all infants in comparison and the original designers are still
in charge... adding to, or radically altering Serge modules would be like
buying the rights to manufacture the Buchla 200 series and then the new
owner of the rights adding new modules to it and modernising the old
designs. Doesn't seem right to me.

I repeat that I think the Serge is a classic 'as is' and rather than any
modernisation of Serge T's original concept I would prefer to see Rex
involved in something completely different - like a collaboration with Grant
Richter on a new beast.

The cons of the 'wholepanel' format I totally agree with - but I respect
Rex's wishes to use this method as a means to keep
buyers down to a manageable level.

Thoughts?

KD
Show quoted textHide quoted text
>
> hello everyone, i just want to say a few things. this is from a
> customer standpoint. i have owned a Serge before.i bought my system
> used. once i grew accustomed to its workings, i found good and bad
> things about the system. once i understood the system, i set about on
> expanding it. first i was planning on how to get more functions in 3
> panels to have what i needed function wise.
>
> here is my biggest beef. once you lay out a panel, it is basicaly set
> for life unless you send it to STS to have it remodelled to the way
> you want it configured. i don't have to tell you about the costs
> involved to do this. a Serge instrument is not an ms20 or a 2600, but
> once you commit to panel design, its feels like one figuratively
> speaking.
>
> this is not an instrument which you can absorb in one or two
> sittings. it takes time to develop your understanding of its
> functions. a lot of people understand basic substractive synthesis,
> but a Serge can give you more than just vco-vcf-vca type patches. you
> need minimum 3 panels to get you started. so a potential customer who
> is inexperienced in the Serge way will choose a system based on his
> prior synthesis experiences. once he gets his Serge and discovers all
> the possibilties hidden in the instrument, he will view his
> instrument in a different way. he will see some things which he had
> wished for and things he wishedhe had not chosen for his instrument
> and possibly would have laid it out in a different order.
>
> this is what happened to me after buying my system. i found the lack
> of modularity in the system to be a glaring error. i was trying to
> layout 3 panels with new modules and doubles of some i already had to
> create my personal instrument. i found the lack of modularity to the
> modules themselves annoying. here i was trying to design my
> instrument but was stuck with the previous layout since i bought it
> used. now imagine adding more panels to that system. the flow of the
> instrument would be all out of place. the panel format is not
> conducive or flexible to customize your system as it grows. i could
> not have imagined buying that system new without getting my feet wet.
> i am glad i bought it used, because it taught more about the Serge
> way and use this knowledge with other instruments. i doubt many
> people can have that much understanding of a Serge before buying one.
> it is a system for the Magus and not for the uninitiated.
>
> so i decided not buy any new Serge panels and sold my system. do i
> regret selling my system? the answer is yes. do i miss some the Serge
> functions. yes. look at John DuVal, he is constantly selling and
> buying new panels to have the layout he desires. why? because you
> develop more of an understanding for the instrument as time goes by.
> would i want to rack my brain to design a new panel, which might or
> might be logical to my instrument? the answer is no. personally, i
> don't to buy and sell panels to get them the way i want. if the
> system was truly modular,i would have stuck with it. i would be able
> to change modules around in my system and be done with it. if i
> didn't need a certain module, bam on the market it goes and i don't
> have to ditch the rest of the modules in order to do so, i just order
> the ones i need and its done.
>
> the issue of being a Rolls Royce or upper echelon modular is
> completely false. Serge knew how to tweak designs from using the
> simplest of parts. yes the Serge is hand made but it's not up there
> for its craftmanship. it is up there because of its ciruits and
> functions. it is made the same way it was twenty years or so years
> ago. the basic circuitry of the system has not changed that much. the
> comsmetic side did get a good makeover but that's it. when you look
> at the TKB, it is a labourious job to build one. with the
> advancements in production and the new parts available out there, the
> production time of the TKB could be down considerately if STS built a
> motherboard that used surface mounted pots. you would save on all the
> wire cutting , and soldering and eliminate the risk for error. it is
> time for the Serge to go through another transformation, just like it
> did in the '70's. i am sure sure people were having these discussions
> back then. so why are people shying away from the Serge's inevitable
> need to change, so it can come into the 21st century.
>
> i respect Rex's wishes to to keep it a cottage industry size
> business, but i believe he is doing the Serge modular a disservice by
> keeping it the same. the Serge and its production deserves to be
> modernized. you can also ask yourself the question, why did Serge
> Tcherepnin leave Serge the company and passed the torch down to Rex
> Probe? maybe it is time for Rex to do the same, so the Serge can have
> more modules available to the people out there who balk at the format
> of the Serge, but actually want to buy them and can't deal with its
> format. the modules and circuits deserve much better.
>
> these comments are not ment to be harmful but rather as contructive
> points which could open up the Serge to other potential users who
> have some of the same issues regarding Serge Intruments. i absolutely
> love the sound and functions of the Serge but feel opposed to its
> idiosyncratic format. hopefully better things will prevail for the
> future.
>
> Regards,
> RM
>
>
>
>
>
>
>
>
> To unsubscribe from this group, send an email to:
> SergeModular-unsubscribe@yahoogroups.com
>
> Keep on Patchin'!
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>

Re: sts in general

2002-07-09 by John Papiewski

The Serge HAS undergone all kinds of changes.
The early filters especially have been called dirty and grungy, the new ones are
very clean.
In addition to adding the BLOG, PDIV, and other modules, Rex has done a lot
'under the hood' to clean up & improve various modules... in some areas the
designs are different, in others the parts used are better. Certainly the
craftsmanship is of a higher caliber now.
One funny thing about the Serge I've noticed is, it sounds very different in the
hands of different musicians.
I think the Serge has less of a distinctive sound than a Moog or Arp - more of a
mysterious character.

John P.
Show quoted textHide quoted text
>
> The Serge is a strange beast because it is a classic instrument that is
> still under manufacture... the issues of improved/new
> modules is more sensitive because of this. Modcan, MOTM, synth.com, etc are
> all infants in comparison and the original designers are still
> in charge... adding to, or radically altering Serge modules would be like
> buying the rights to manufacture the Buchla 200 series and then the new
> owner of the rights adding new modules to it and modernising the old
> designs. Doesn't seem right to me.

Re: sts in general

2002-07-09 by ringmod45

--- In SergeModular@y..., "Kirk Degiorgio" <kirk.degiorgio@b...>
wrote:
Show quoted textHide quoted text
>
> Hi RM
>
> I agree and sympathise with every point you make. Thx for such a
> constructive post.
>
> I would like to repeat a point I made in a recent post that nobody
seemed
> interested in replying to. It is about the introduction of new
modules
> rather than the
> 'whole panel' issue.

hi kirk, thanks for the kind words, i thought i might get shot down
in flames. i wrote the post to explain my thoughts about the system,
not to start a flame war.

i did not want go on the subject of new modules for the system for
the exact reasons you list below. what is the agreement between Srege
and Rex? i don't know and can't extrapolate on the issue. but i will
say this about future modules. they should compliment the system and
not the other way around.

would a Wasp style filter make the Serge any better or worse? who
knows? the Serge oscillators and its filters have a character that
you don't see elsewhere. if a filter is not complementary with
regards to the oscillators why bother, if it is, go ahead. kirk, you
mentioned in a prior post that because of the lower slopes of the
filters, you had try different ideas to come up with unique sounds,
because of the lack of higher sloped filters, it made you think
outside the box. an excellent and very Magus like approach. i am sure
if you added higher sloped filters people would not object because
they would be in the same livery and keep the system tidy. i know a
few people who own other modular gear and blend their modulars
together with the Serge to get different sounds and textures, that
were unavailable inside the Serge. good for them, and it gives their
Serges a new arsenal of sources, functions and modifiers to intregate
and work with.

the Serge has its signature modules. where i would like to see
improvement is in the voltage controllable logic and control modules.
please bring back the Peak and trough module, the funky gate
sequencer that was in the Sentinel ebay panels( i came very close to
buying those panels to incorporate with other banana based gear i
own), the sequential switch, the voltage control reverbs, etc. design
modules that will complement the system. check the Mikado
Sequencer/logic panel to complement and add further control to any
existing Serge system.

Serge based his designs around a certain parts philosophy. i am not
asking for redesigns, but more a newer production method to
incorporate some the newer parts and methods. by changing to new
productions methods, you could design it to be more modular in terms
of separating the modules. the added bonus is by using newer methods
the costs will go down and the labour will be more manageable.
quality will only go up if it is executed properly. oh well, thanks
everyone for your time, your understanding and patience.

regards and happy patching,

RM

>
> When Rex took over the reins from Serge T.
> was is it on the understanding that the Serge System would develop,
modify
> and expand in capabilities
> or was the understanding/agreement to stay true to the original
designs with
> only minor alterations.
>
> If Rex added VC Reverbs, multi-stage envelopes, 4 pole filters,
wavetable
> oscillators, etc, etc - would the system
> become something completely different? Does the Serge have
a 'sound' in the
> way a Moog Modular or ARP 2500, etc
> does? I believe it does. Would this be lost if new modules were
introduced
> as some has asked, or even if modules were made with more up-to-date
> methods/components as has been suggested?
>
> The Serge is a strange beast because it is a classic instrument
that is
> still under manufacture... the issues of improved/new
> modules is more sensitive because of this. Modcan, MOTM, synth.com,
etc are
> all infants in comparison and the original designers are still
> in charge... adding to, or radically altering Serge modules would
be like
> buying the rights to manufacture the Buchla 200 series and then the
new
> owner of the rights adding new modules to it and modernising the old
> designs. Doesn't seem right to me.
>
> I repeat that I think the Serge is a classic 'as is' and rather
than any
> modernisation of Serge T's original concept I would prefer to see
Rex
> involved in something completely different - like a collaboration
with Grant
> Richter on a new beast.
>
> The cons of the 'wholepanel' format I totally agree with - but I
respect
> Rex's wishes to use this method as a means to keep
> buyers down to a manageable level.
>
> Thoughts?
>
> KD
>
>
> >
> > hello everyone, i just want to say a few things. this is from a
> > customer standpoint. i have owned a Serge before.i bought my
system
> > used. once i grew accustomed to its workings, i found good and bad
> > things about the system. once i understood the system, i set
about on
> > expanding it. first i was planning on how to get more functions
in 3
> > panels to have what i needed function wise.
> >
> > here is my biggest beef. once you lay out a panel, it is basicaly
set
> > for life unless you send it to STS to have it remodelled to the
way
> > you want it configured. i don't have to tell you about the costs
> > involved to do this. a Serge instrument is not an ms20 or a 2600,
but
> > once you commit to panel design, its feels like one figuratively
> > speaking.
> >
> > this is not an instrument which you can absorb in one or two
> > sittings. it takes time to develop your understanding of its
> > functions. a lot of people understand basic substractive
synthesis,
> > but a Serge can give you more than just vco-vcf-vca type patches.
you
> > need minimum 3 panels to get you started. so a potential customer
who
> > is inexperienced in the Serge way will choose a system based on
his
> > prior synthesis experiences. once he gets his Serge and discovers
all
> > the possibilties hidden in the instrument, he will view his
> > instrument in a different way. he will see some things which he
had
> > wished for and things he wishedhe had not chosen for his
instrument
> > and possibly would have laid it out in a different order.
> >
> > this is what happened to me after buying my system. i found the
lack
> > of modularity in the system to be a glaring error. i was trying to
> > layout 3 panels with new modules and doubles of some i already
had to
> > create my personal instrument. i found the lack of modularity to
the
> > modules themselves annoying. here i was trying to design my
> > instrument but was stuck with the previous layout since i bought
it
> > used. now imagine adding more panels to that system. the flow of
the
> > instrument would be all out of place. the panel format is not
> > conducive or flexible to customize your system as it grows. i
could
> > not have imagined buying that system new without getting my feet
wet.
> > i am glad i bought it used, because it taught more about the Serge
> > way and use this knowledge with other instruments. i doubt many
> > people can have that much understanding of a Serge before buying
one.
> > it is a system for the Magus and not for the uninitiated.
> >
> > so i decided not buy any new Serge panels and sold my system. do
i
> > regret selling my system? the answer is yes. do i miss some the
Serge
> > functions. yes. look at John DuVal, he is constantly selling and
> > buying new panels to have the layout he desires. why? because you
> > develop more of an understanding for the instrument as time goes
by.
> > would i want to rack my brain to design a new panel, which might
or
> > might be logical to my instrument? the answer is no. personally, i
> > don't to buy and sell panels to get them the way i want. if the
> > system was truly modular,i would have stuck with it. i would be
able
> > to change modules around in my system and be done with it. if i
> > didn't need a certain module, bam on the market it goes and i
don't
> > have to ditch the rest of the modules in order to do so, i just
order
> > the ones i need and its done.
> >
> > the issue of being a Rolls Royce or upper echelon modular is
> > completely false. Serge knew how to tweak designs from using the
> > simplest of parts. yes the Serge is hand made but it's not up
there
> > for its craftmanship. it is up there because of its ciruits and
> > functions. it is made the same way it was twenty years or so years
> > ago. the basic circuitry of the system has not changed that much.
the
> > comsmetic side did get a good makeover but that's it. when you
look
> > at the TKB, it is a labourious job to build one. with the
> > advancements in production and the new parts available out there,
the
> > production time of the TKB could be down considerately if STS
built a
> > motherboard that used surface mounted pots. you would save on all
the
> > wire cutting , and soldering and eliminate the risk for error. it
is
> > time for the Serge to go through another transformation, just
like it
> > did in the '70's. i am sure sure people were having these
discussions
> > back then. so why are people shying away from the Serge's
inevitable
> > need to change, so it can come into the 21st century.
> >
> > i respect Rex's wishes to to keep it a cottage industry size
> > business, but i believe he is doing the Serge modular a
disservice by
> > keeping it the same. the Serge and its production deserves to be
> > modernized. you can also ask yourself the question, why did Serge
> > Tcherepnin leave Serge the company and passed the torch down to
Rex
> > Probe? maybe it is time for Rex to do the same, so the Serge can
have
> > more modules available to the people out there who balk at the
format
> > of the Serge, but actually want to buy them and can't deal with
its
> > format. the modules and circuits deserve much better.
> >
> > these comments are not ment to be harmful but rather as
contructive
> > points which could open up the Serge to other potential users who
> > have some of the same issues regarding Serge Intruments. i
absolutely
> > love the sound and functions of the Serge but feel opposed to its
> > idiosyncratic format. hopefully better things will prevail for the
> > future.
> >
> > Regards,
> > RM
> >
> >
> >
> >
> >
> >
> >
> >
> > To unsubscribe from this group, send an email to:
> > SergeModular-unsubscribe@y...
> >
> > Keep on Patchin'!
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/
> >
> >

Re: sts in general

2002-07-09 by Kirk Degiorgio

"The early filters especially have been called dirty and grungy, the new
ones are
very clean."

Interesting. Anybody have both vintage and STS era filters to compare?
Anybody know
why they are cleaner now... design/components?

"One funny thing about the Serge I've noticed is, it sounds very different
in the
hands of different musicians.
I think the Serge has less of a distinctive sound than a Moog or Arp - more
of a
mysterious character."

Interesting point again. The lack of much commercially released Serge based
material makes it difficult to validate my
previous statement that the Serge has a distinctive sound I guess. It based
more upon my own patches and I guess
my patches are dominated by the use of my fave modules - the middle Wave
Multiplier (especially sine/tri waves),
the Res EQ and the VCFQ in trig mode. I've only recently gotten some sharper
edged sounds by learning how the
using the Trig In of the ADSR starts and shapes the env's differently from
the regular Gate In mode. Wonderful stuff.. but a lot to remember!!

Hope the forthcoming Serge Users CD will give me a better angle on the Serge
sound.

KD

Re: sts in general (DADSR)

2002-07-10 by skuehnl

--- In SergeModular@y..., "Kirk Degiorgio" <kirk.degiorgio@b...>
wrote:
Show quoted textHide quoted text
> I've only recently gotten some sharper
> edged sounds by learning how the
> using the Trig In of the ADSR starts and shapes the env's
differently from
> the regular Gate In mode. Wonderful stuff.. but a lot to remember!!

Isn't the difference just that the "trig" input recognizes rising
edges only (as opposed to sustained voltages), and makes the envelope
stop after the "decay" slope (as opposed to entering the "sustain"
phase and ending with the "release" slope), which allows even shorter
overall times?

SK

Re: sts in general (DADSR)

2002-07-10 by Kirk Degiorgio

I'm going by ear and not theory but I was experimenting with the Trig
input after reading the following from the Rich Gold book:

"The ADSR functions differently if the trig pulse is applied to the TRIG in
and not the GATE in.
When there is no input to the GATE, the output of the ADSR remains at the
voltage level set by
the Sustain pot. When the ADSR recieves a trigger pulse the voltage drops to
0 volts from this level
at a rate set by the release pot. The voltage then rises to the peak voltage
at a rate set by the Attack pot
and finally drops back to the level set by the Sustain pot at a rate set by
the Decay pot."

Is this the same function as you describe?

I have been messing around with triggering both the GATE and TRIG inputs
with different pulses, etc.

It's taught me not to be lazy with the Serge - I had just ignored the Trig
In before.

KD
Show quoted textHide quoted text
> --- In SergeModular@y..., "Kirk Degiorgio" <kirk.degiorgio@b...>
> wrote:
>
> > I've only recently gotten some sharper
> > edged sounds by learning how the
> > using the Trig In of the ADSR starts and shapes the env's
> differently from
> > the regular Gate In mode. Wonderful stuff.. but a lot to remember!!
>
> Isn't the difference just that the "trig" input recognizes rising
> edges only (as opposed to sustained voltages), and makes the envelope
> stop after the "decay" slope (as opposed to entering the "sustain"
> phase and ending with the "release" slope), which allows even shorter
> overall times?
>
> SK
>
>
>
> To unsubscribe from this group, send an email to:
> SergeModular-unsubscribe@yahoogroups.com
>
> Keep on Patchin'!
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>

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