Re: sts in general
2002-07-08 by Kirk Degiorgio
Hi RM
I agree and sympathise with every point you make. Thx for such a
constructive post.
I would like to repeat a point I made in a recent post that nobody seemed
interested in replying to. It is about the introduction of new modules
rather than the
'whole panel' issue.
When Rex took over the reins from Serge T.
was is it on the understanding that the Serge System would develop, modify
and expand in capabilities
or was the understanding/agreement to stay true to the original designs with
only minor alterations.
If Rex added VC Reverbs, multi-stage envelopes, 4 pole filters, wavetable
oscillators, etc, etc - would the system
become something completely different? Does the Serge have a 'sound' in the
way a Moog Modular or ARP 2500, etc
does? I believe it does. Would this be lost if new modules were introduced
as some has asked, or even if modules were made with more up-to-date
methods/components as has been suggested?
The Serge is a strange beast because it is a classic instrument that is
still under manufacture... the issues of improved/new
modules is more sensitive because of this. Modcan, MOTM, synth.com, etc are
all infants in comparison and the original designers are still
in charge... adding to, or radically altering Serge modules would be like
buying the rights to manufacture the Buchla 200 series and then the new
owner of the rights adding new modules to it and modernising the old
designs. Doesn't seem right to me.
I repeat that I think the Serge is a classic 'as is' and rather than any
modernisation of Serge T's original concept I would prefer to see Rex
involved in something completely different - like a collaboration with Grant
Richter on a new beast.
The cons of the 'wholepanel' format I totally agree with - but I respect
Rex's wishes to use this method as a means to keep
buyers down to a manageable level.
Thoughts?
KD
I agree and sympathise with every point you make. Thx for such a
constructive post.
I would like to repeat a point I made in a recent post that nobody seemed
interested in replying to. It is about the introduction of new modules
rather than the
'whole panel' issue.
When Rex took over the reins from Serge T.
was is it on the understanding that the Serge System would develop, modify
and expand in capabilities
or was the understanding/agreement to stay true to the original designs with
only minor alterations.
If Rex added VC Reverbs, multi-stage envelopes, 4 pole filters, wavetable
oscillators, etc, etc - would the system
become something completely different? Does the Serge have a 'sound' in the
way a Moog Modular or ARP 2500, etc
does? I believe it does. Would this be lost if new modules were introduced
as some has asked, or even if modules were made with more up-to-date
methods/components as has been suggested?
The Serge is a strange beast because it is a classic instrument that is
still under manufacture... the issues of improved/new
modules is more sensitive because of this. Modcan, MOTM, synth.com, etc are
all infants in comparison and the original designers are still
in charge... adding to, or radically altering Serge modules would be like
buying the rights to manufacture the Buchla 200 series and then the new
owner of the rights adding new modules to it and modernising the old
designs. Doesn't seem right to me.
I repeat that I think the Serge is a classic 'as is' and rather than any
modernisation of Serge T's original concept I would prefer to see Rex
involved in something completely different - like a collaboration with Grant
Richter on a new beast.
The cons of the 'wholepanel' format I totally agree with - but I respect
Rex's wishes to use this method as a means to keep
buyers down to a manageable level.
Thoughts?
KD
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>
> hello everyone, i just want to say a few things. this is from a
> customer standpoint. i have owned a Serge before.i bought my system
> used. once i grew accustomed to its workings, i found good and bad
> things about the system. once i understood the system, i set about on
> expanding it. first i was planning on how to get more functions in 3
> panels to have what i needed function wise.
>
> here is my biggest beef. once you lay out a panel, it is basicaly set
> for life unless you send it to STS to have it remodelled to the way
> you want it configured. i don't have to tell you about the costs
> involved to do this. a Serge instrument is not an ms20 or a 2600, but
> once you commit to panel design, its feels like one figuratively
> speaking.
>
> this is not an instrument which you can absorb in one or two
> sittings. it takes time to develop your understanding of its
> functions. a lot of people understand basic substractive synthesis,
> but a Serge can give you more than just vco-vcf-vca type patches. you
> need minimum 3 panels to get you started. so a potential customer who
> is inexperienced in the Serge way will choose a system based on his
> prior synthesis experiences. once he gets his Serge and discovers all
> the possibilties hidden in the instrument, he will view his
> instrument in a different way. he will see some things which he had
> wished for and things he wishedhe had not chosen for his instrument
> and possibly would have laid it out in a different order.
>
> this is what happened to me after buying my system. i found the lack
> of modularity in the system to be a glaring error. i was trying to
> layout 3 panels with new modules and doubles of some i already had to
> create my personal instrument. i found the lack of modularity to the
> modules themselves annoying. here i was trying to design my
> instrument but was stuck with the previous layout since i bought it
> used. now imagine adding more panels to that system. the flow of the
> instrument would be all out of place. the panel format is not
> conducive or flexible to customize your system as it grows. i could
> not have imagined buying that system new without getting my feet wet.
> i am glad i bought it used, because it taught more about the Serge
> way and use this knowledge with other instruments. i doubt many
> people can have that much understanding of a Serge before buying one.
> it is a system for the Magus and not for the uninitiated.
>
> so i decided not buy any new Serge panels and sold my system. do i
> regret selling my system? the answer is yes. do i miss some the Serge
> functions. yes. look at John DuVal, he is constantly selling and
> buying new panels to have the layout he desires. why? because you
> develop more of an understanding for the instrument as time goes by.
> would i want to rack my brain to design a new panel, which might or
> might be logical to my instrument? the answer is no. personally, i
> don't to buy and sell panels to get them the way i want. if the
> system was truly modular,i would have stuck with it. i would be able
> to change modules around in my system and be done with it. if i
> didn't need a certain module, bam on the market it goes and i don't
> have to ditch the rest of the modules in order to do so, i just order
> the ones i need and its done.
>
> the issue of being a Rolls Royce or upper echelon modular is
> completely false. Serge knew how to tweak designs from using the
> simplest of parts. yes the Serge is hand made but it's not up there
> for its craftmanship. it is up there because of its ciruits and
> functions. it is made the same way it was twenty years or so years
> ago. the basic circuitry of the system has not changed that much. the
> comsmetic side did get a good makeover but that's it. when you look
> at the TKB, it is a labourious job to build one. with the
> advancements in production and the new parts available out there, the
> production time of the TKB could be down considerately if STS built a
> motherboard that used surface mounted pots. you would save on all the
> wire cutting , and soldering and eliminate the risk for error. it is
> time for the Serge to go through another transformation, just like it
> did in the '70's. i am sure sure people were having these discussions
> back then. so why are people shying away from the Serge's inevitable
> need to change, so it can come into the 21st century.
>
> i respect Rex's wishes to to keep it a cottage industry size
> business, but i believe he is doing the Serge modular a disservice by
> keeping it the same. the Serge and its production deserves to be
> modernized. you can also ask yourself the question, why did Serge
> Tcherepnin leave Serge the company and passed the torch down to Rex
> Probe? maybe it is time for Rex to do the same, so the Serge can have
> more modules available to the people out there who balk at the format
> of the Serge, but actually want to buy them and can't deal with its
> format. the modules and circuits deserve much better.
>
> these comments are not ment to be harmful but rather as contructive
> points which could open up the Serge to other potential users who
> have some of the same issues regarding Serge Intruments. i absolutely
> love the sound and functions of the Serge but feel opposed to its
> idiosyncratic format. hopefully better things will prevail for the
> future.
>
> Regards,
> RM
>
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