Barry,
Thanks for all the interesting contributions of late. I have personally
found some things thought provoking especially your photos.
First off, the other day I was going to ask you if you used the Serge very
much in your film work. I rarely use mine because the turnaround times are
so short. It can take me a couple of hours to refine a patch and that is
often about the time I have to get a whole piece into shape.
After looking at your pictures I was wondering if you ended up with 3
sequencers by default and whether you used them all. I have often thought
that having a couple of the odd numbered sequencers working with the TKB
would be amazing but in practice I often find that the more complex a Serge
patch the harder it is to fit it into my music.
CW
Thanks for all the interesting contributions of late. I have personally
found some things thought provoking especially your photos.
First off, the other day I was going to ask you if you used the Serge very
much in your film work. I rarely use mine because the turnaround times are
so short. It can take me a couple of hours to refine a patch and that is
often about the time I have to get a whole piece into shape.
After looking at your pictures I was wondering if you ended up with 3
sequencers by default and whether you used them all. I have often thought
that having a couple of the odd numbered sequencers working with the TKB
would be amazing but in practice I often find that the more complex a Serge
patch the harder it is to fit it into my music.
CW