did you use another sine wave as the modulator? or you used a complex wave as modulator?
did you input the modulator wave to the 'in fm' input of the PCO, or the 'in fm' input of the NTO?
the 'in fm' knob on the NTO, is the offset knob of the linear vca controling the linear fm index.
the "vc fm" input of the NTO, is the cv input of the linear vca controlling the linear fm index.
the 'in fm' knob (on the PCO) is the linear fm manual modulation index.
Bakis Sirros - Parallel Worlds / Interconnected / Memory Geist
[Doepfer_a100] group owner
www. parallel - worlds - music. com
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www. myspace. com/ memorygeist
www. DiN. org. uk
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Athens - Greece
--- On Mon, 2/16/09, roelelec <r.steverink@...> wrote:From: roelelec <r.steverink@...>
Subject: [SergeModular] Soft Sync + Linear FM
To: SergeModular@yahoogroups.com
Date: Monday, February 16, 2009, 2:58 PMHi guys,
I must say I love the ex. FM of the NTO and PCO.
It delivers a broad range of sounds.
Yesterday I patched one PCO to the soft sync of
the NTO. I also made feedback patches and included
the second PCO. The main out of all this through
the low pass of the VQF and then into the in 1 of the X-fader.
I noticed a small range of frequenties producing
a sort of sync effect, but only a small range.
But I wasn't prepared to get a high to low to high
even accelerating rhythm! Just by using 3 osc's and a filter!
That task normally is reserved for the right wing modules: VTO and
SSG.
My question is: what's the use of soft sync in general?
And linear FM? So far I get white noise. I mean the fact is you want
a stable tune.
O yes, do I have a source of usable white noise for my SSG?
I have NTO (1), PCO (2), X-fader (1), VTO and SSG.
Cheers,
Roel