Hi guys,
I must say I love the ex. FM of the NTO and PCO.
It delivers a broad range of sounds.
Yesterday I patched one PCO to the soft sync of
the NTO. I also made feedback patches and included
the second PCO. The main out of all this through
the low pass of the VQF and then into the in 1 of the X-fader.
I noticed a small range of frequenties producing
a sort of sync effect, but only a small range.
But I wasn't prepared to get a high to low to high
even accelerating rhythm! Just by using 3 osc's and a filter!
That task normally is reserved for the right wing modules: VTO and
SSG.
My question is: what's the use of soft sync in general?
And linear FM? So far I get white noise. I mean the fact is you want
a stable tune.
O yes, do I have a source of usable white noise for my SSG?
I have NTO (1), PCO (2), X-fader (1), VTO and SSG.
Cheers,
Roel
I must say I love the ex. FM of the NTO and PCO.
It delivers a broad range of sounds.
Yesterday I patched one PCO to the soft sync of
the NTO. I also made feedback patches and included
the second PCO. The main out of all this through
the low pass of the VQF and then into the in 1 of the X-fader.
I noticed a small range of frequenties producing
a sort of sync effect, but only a small range.
But I wasn't prepared to get a high to low to high
even accelerating rhythm! Just by using 3 osc's and a filter!
That task normally is reserved for the right wing modules: VTO and
SSG.
My question is: what's the use of soft sync in general?
And linear FM? So far I get white noise. I mean the fact is you want
a stable tune.
O yes, do I have a source of usable white noise for my SSG?
I have NTO (1), PCO (2), X-fader (1), VTO and SSG.
Cheers,
Roel