It maybe a cliché to get existed about filters, but damn they are so
important for the soundshaping in a synth! I mean with a great filter
with enormous range your halfway there finding your favourite,
special sounds.
Thanks for pointing that out. I'll memorize the left gate output.
When I get my Creature and Triple Osc. I'm not going for the quickest
way to find something suitable. No. I'm doing it slow. Patch one
thing, listen how it sound, what it is I'm hearing, trying to analyse
what's happening. For me that's the best way to proceed, to learn the
trade!
I'm looking forward to the new Serge cd. The old one was I think
pretty amazing.
Ah, I know what you mean. That's true, weird noise you can have in a
jiffy, but musical interesting sounds take time and precision. And
you have noise and noise.
--- In SergeModular@yahoogroups.com, "kkonkkrete" <kkonkkrete@...>
wrote:
important for the soundshaping in a synth! I mean with a great filter
with enormous range your halfway there finding your favourite,
special sounds.
Thanks for pointing that out. I'll memorize the left gate output.
When I get my Creature and Triple Osc. I'm not going for the quickest
way to find something suitable. No. I'm doing it slow. Patch one
thing, listen how it sound, what it is I'm hearing, trying to analyse
what's happening. For me that's the best way to proceed, to learn the
trade!
I'm looking forward to the new Serge cd. The old one was I think
pretty amazing.
Ah, I know what you mean. That's true, weird noise you can have in a
jiffy, but musical interesting sounds take time and precision. And
you have noise and noise.
--- In SergeModular@yahoogroups.com, "kkonkkrete" <kkonkkrete@...>
wrote:
>comes
>
> > The Creature is really a Swiss army knife of functions!
> > That's the kind of thing I'm looking for. And that you
> > have so much possiblities in a so, but not crammed space.
> > What me strikes is the clear beautiful sounds the Serge
> > can produce f.e. waterdrops. Bass sounds sound really warm
> > and it can make the greatest noise if want it to.
> > Thanks man, for this demonstration!!
> > Are there more to look forward to.
> > Not in a short while of course, these set ups take hours of
> > time, but in near future somewhere?
>
> I'm glad you liked the demo! It's a cliche to get excited about a
> synth's filters, but I think a lot of what you are talking about
> from the excellent filters on the serge. There are audiophile gradeis
> components in there that give it an incredibly 'acoustic' and
> 'detailed' sound. The gate output on the left hand side of the TGO
> also a fantastic tone. In the bass register it sounds almost like aso
> bass clarinet. Really full.
>
> I don't think I'll be able to post another demo soon as I'm going to
> be away from the system for a while, but I really enjoyed doing it,
> I'm sure there'll be more later. I also owe Hans and the Serge CDinstead!
> people a couple of new cover designs, so I should work on that
>little
> > I'm curious what you mean by the Phrase "and then it's get's a
> > bit to interesting for my taste?"need.
>
> I just meant that with any modular there are so many way to generate
> really random sounding junk. Sometimes that's exactly what you
> But most of the time patching a system so that it does somethingit
> 'theoretically' interesting is not the same as patching it so that
> does something 'musically' interesting...
>