We had:
http://www.vintagesynth.com/emu/emu_modular.jpg
at Fort Lewis College for summer emusic classes in the
very early 80's.
Dave Rossum actually delivered it & set it up both
summers I was there, I think it cost about 17.5k at
the time.
It was a quality instrument, but in most aspects far
less capable than a Serge, & much more biased towards
regular tonality.
--- lars_arnwald <lars.arnwald@...> wrote:
Park yourself in front of a world of choices in alternative vehicles. Visit the Yahoo! Auto Green Center.
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http://www.vintagesynth.com/emu/emu_modular.jpg
at Fort Lewis College for summer emusic classes in the
very early 80's.
Dave Rossum actually delivered it & set it up both
summers I was there, I think it cost about 17.5k at
the time.
It was a quality instrument, but in most aspects far
less capable than a Serge, & much more biased towards
regular tonality.
--- lars_arnwald <lars.arnwald@...> wrote:
> Hello,____________________________________________________________________________________
> Back in older days when one could save some money by
> ordering Serge
> modules or panels as kits, one would then get a Kit
> Description
> listing the actual components and how to connect
> different points on
> the circuit board with connectors, pots, switches,
> etc. With little
> knowledge of electronics, I went through this
> several times and it
> never failed.
> It now so happens that FATE has provided me with
> circuit boards of a
> VCF2, Variable Bandwidth Filter, and a DSG, Dual
> Slope Generator.
> These are left-overs from the Haight St. factory,
> there's a small tag
> saying 83 which must have been the year operations
> closed down. Thus
> they've been laying around unused ever since, but I
> see no reason why
> they shouldn't work right away. Needless to say,
> this gift from one
> the old Serge genial co-workers has filled me with
> great joy.
> Essentially having concentrated solely on the
> clarinet for several
> years, I've decided to revive my old combination of
> EWI and various
> analog modules. The latter category includes a small
> Serge system for
> processing external sounds (PRNV, REQ, VCFX, UAP),
> and an Oberheim
> SEM. Being a musician with the focus entirely on
> live performance, I'm
> light years from the world of multi-panel systems.
> Computers on stage?
> Forget it, a few pedals is just fine. Still I will
> expand my tiny
> setup with two oscillators, a formant filter. Except
> for some possible
> effects, I'll leave the digital stuff out.
> My question: Anyone has Kit Descriptions for VCF2,
> DSG? Also are there
> any loose faceplates for these laying around, or
> anybody knows hot to
> easily get or make them? If so get back to me
> privately. Please keep
> in mind that I'm not asking this to discredit or
> disavow Rex in any
> way. It just seems such a tiny project, that it's
> easier not to
> involve him at this point. I'm sure he's got his
> hands full already.
> BTW, speaking about the history of multipanel
> systems being used live.
> Does anybody share my experience of having
> witnessed Patrick
> Gleeson's Bay Area performances in 1980. Using a
> humonguous Emu
> Modular, must have cost him millions, he had to
> program it with a
> cassette tape deck! Of course, some bit skipped and
> the whole thing
> went deadly mute. Luckily, his excellent cohort
> Lenny Pickett, of
> earlier Tower Power and later Saturday Night Live
> fame, saved the day
> with his Lyricon, much smaller Emu, and little
> snippets of TV signatures.
> 'Nuff of bandwidth now.
> Regards, Lars
> lars.arnwald@...
>
>
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