Just thought i'd contribute and confuse the subject of the uses for
the ASR module that was running here a few months back. was doing a
few experiments last night and thought a few people might want to
check this out if they haven't already.
patch three outputs of ASR to 1v/oct of three PCOs. Tune the three
PCOs to either unison,octaves or for some real fun, try any chord
useing the intervals 1 3 5#.
Patch a DTG or , as in my case, a VCClock. Left hand section of clock
(blue jack) to "sample in" and right section(red jack,gate out)
to "pulse in". Set frequency of both to 10:00. Double patch blue
outputs of each section to "vc in" of the opposit section... right to
left, left to right . Left VC in at 11:00 and right VC in at 1:00.
Set attenuator of ASR to 10:00
This will get you a Martian war chant on mescaline. I dont' find it
useful at all but.... take the outputs of the ASR and send them to a
Quantizer and then on to the PCO and now you have something. So if
you care to bypass the war chant, do the Quantizer patch first before
you fire it up. Of course you can introduce other madness from the
PCOs onward. I mixed the outputs (all saw waves ) with a MIX2 to a
VCFQX then to a UAP (right side) Double patched from each of the MIX2
inputs to three inputs of a Cynthia Synthacon filter and then to the
left input of the UAP. Adjust to taste.
Playing with the attenuator of the ASR and playing with the frequency
and VC knobs on the Clock, or DTG or whatever your useing, is where
all the fun begins.I'm useing the PCO settings that give me the 1 3
5# intervals.
A different approach is to use a fourth PCO as the input for a
Comparator and feeding that ouput into the "sample in" of the ASR.
Appreares to give less stable results but has interesting timberal
characteristics. I'm going to do some more fooling around useing the
TKB and a SEQ Programmer for inputs to the ASR and the Clock.
If this gets anyones juices going let me know. Conversly, if you all
think i'm wasting bandwidth, let me know that also. Don't want to bum
anyones summer groove.
kind regards
john duval
the ASR module that was running here a few months back. was doing a
few experiments last night and thought a few people might want to
check this out if they haven't already.
patch three outputs of ASR to 1v/oct of three PCOs. Tune the three
PCOs to either unison,octaves or for some real fun, try any chord
useing the intervals 1 3 5#.
Patch a DTG or , as in my case, a VCClock. Left hand section of clock
(blue jack) to "sample in" and right section(red jack,gate out)
to "pulse in". Set frequency of both to 10:00. Double patch blue
outputs of each section to "vc in" of the opposit section... right to
left, left to right . Left VC in at 11:00 and right VC in at 1:00.
Set attenuator of ASR to 10:00
This will get you a Martian war chant on mescaline. I dont' find it
useful at all but.... take the outputs of the ASR and send them to a
Quantizer and then on to the PCO and now you have something. So if
you care to bypass the war chant, do the Quantizer patch first before
you fire it up. Of course you can introduce other madness from the
PCOs onward. I mixed the outputs (all saw waves ) with a MIX2 to a
VCFQX then to a UAP (right side) Double patched from each of the MIX2
inputs to three inputs of a Cynthia Synthacon filter and then to the
left input of the UAP. Adjust to taste.
Playing with the attenuator of the ASR and playing with the frequency
and VC knobs on the Clock, or DTG or whatever your useing, is where
all the fun begins.I'm useing the PCO settings that give me the 1 3
5# intervals.
A different approach is to use a fourth PCO as the input for a
Comparator and feeding that ouput into the "sample in" of the ASR.
Appreares to give less stable results but has interesting timberal
characteristics. I'm going to do some more fooling around useing the
TKB and a SEQ Programmer for inputs to the ASR and the Clock.
If this gets anyones juices going let me know. Conversly, if you all
think i'm wasting bandwidth, let me know that also. Don't want to bum
anyones summer groove.
kind regards
john duval