--- In SergeModular@y..., sasami@h... wrote:
the dividing line between control voltages and audio signals was
pretty much user controlled. The original slews could be used a
portamento devices or as oscillators.
The Series '79 modules were designed with high quality audio, low
noise, and wide dynamic range in mind, and in many cases were
clearly partitioned between audio modules and control signal
modules. This was because the requirements for 1v/oct and good
dynamic range is difficult and not usually required in the sub-audio
frequencies. Still, the DSG and DTG carried on the tradition that
a single patch cord could contain either control or audio
information --and that was up to the artist to define.
Darrel Johansen
> The original VCF had a subsonic range that was usually not fitted,and it
> seems, never brought to the panel. No doubt this was what Sergehad in mind
> at the time.I'm not sure which filter you are referring to, but in most modules
the dividing line between control voltages and audio signals was
pretty much user controlled. The original slews could be used a
portamento devices or as oscillators.
The Series '79 modules were designed with high quality audio, low
noise, and wide dynamic range in mind, and in many cases were
clearly partitioned between audio modules and control signal
modules. This was because the requirements for 1v/oct and good
dynamic range is difficult and not usually required in the sub-audio
frequencies. Still, the DSG and DTG carried on the tradition that
a single patch cord could contain either control or audio
information --and that was up to the artist to define.
Darrel Johansen