Hi Richard...as I recall you're using OEM pigments...if not, that's one obvious answer. Maybe this will help (though I don't use it for my 2200): Lightroom "Develop" does an amazingly fine job of color conversion to B&W (DSLR and scan) ...multiple alternative approaches, but the one-click simplest approach is superb. Using Lightroom color conversions and for post processing of B&W scans, then "Editing" to my CS2 and "Printing" from CS2 , I get extraordinarily good matches to my old Samsung 192N monitor (merely Adoba Gamma "calibrated"). I may tweak a 4X5 printed test strip by "+/-3" here or there in the Epson printer driver to get the tonality I want, depending on the paper...but it's usually the same close-to-0000 setting for all files, assuming I just want a neutral or a slightly warm print. QTR remains my favorite for my 2200 but have given up on it with my R800...that Lightroom/Photoshop process is sweet with R800, despite that machine's bad B&W reputation. I'm hoping to find an 1800 somewhere so I can print 12/18 on Moab Colorado Satine Fiber...it's gorgeous from the R800, which uses the same carts. <smallfieldphoto@...> wrote: > > Hi, > all of a sudden, 100% blacks are printing lighter than 18% grey. The > rest of the tones are fine, however.
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Re: 100% black now pale grey
2008-11-05 by djon43
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