Carl Interesting approach. One would not be restricted to toning using highlight and shadows, it seems. How did you create the low gamut ICC profiles? Tom Moore > -----Original Message----- > From: QuadtoneRIP@yahoogroups.com [mailto:QuadtoneRIP@yahoogroups.com] On > Behalf Of Carl Schofield > Sent: Sunday, October 08, 2006 2:06 PM > To: QuadtoneRIP@yahoogroups.com > Subject: Re: [QuadtoneRIP] Re: Split Toning with QTR > > I made a Photoshop action file for split toning awhile ago and > suggested an RGB workflow using a low gamut icc profile and modified > inkset. Works well with K3 printers using a carbon ink in the Y > position. > http://homepage.mac.com/scho/FileSharing5.html > > Carl > On Oct 8, 2006, at 1:56 PM, Tom Moore wrote: > > > > > > >> -----Original Message----- > >> From: QuadtoneRIP@yahoogroups.com > >> [mailto:QuadtoneRIP@yahoogroups.com] On > >> Behalf Of Terry Ritz > > > > .... > > > >> > >> Tom Moore wrote: > >> > >>> About a year ago I was inspired by one of Paul Roark's images > >>> to create a > >>> UT7 split tone curve for Ilford Smooth Pearl. The curve has > >>> warm highlights > >>> and cool shadows. > >> > >> Thanks Tom. > >> > >> Which curve was that, the "Neutral" one? > >> > >> Terry. > >> > > As I said, if you go to the mail list web site at Yahoo, they're in > > the > > files section: > > The file with the split curve is called UT7-IlfSmoothPearlSplitWC.ZIP > > > > Despite what I stated in my previous email, there is no regular > > (warm/cool/sepia) curve set for Ilford Smooth pearl 2200/UT7 in the > > files > > section. I have one in QTR and can't recall if it's in the regular > > distribution or I created it. If you don't have it I can post it. > > > > You also might want to look into the method for creating split tone > > curves > > recently suggested in this thread by Howard Shaw. > > > > Tom Moore > > > > > > > > > > Yahoo! Groups Links > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Yahoo! Groups Links > > > > > > > >
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RE: [QuadtoneRIP] Re: Split Toning with QTR
2006-10-08 by Tom Moore
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