Yes, without split toning all tones are the same. Roy On Sun, Jul 15, 2012 at 2:49 PM, Mel <chilterns@...> wrote: > So that means > > Curve 1 70% highlights 70% midtones 70% shadows > Curve 2 30% highlights 30% midtones 30% shadows > > Am I correct ? > > > --- In QuadtoneRIP@yahoogroups.com, Roy Harrington <roy@...> wrote: >> >> Mel, >> >> I don't see how your question is different. >> It just does the most obvious, simple thing. 70% of cool curve inks + >> 30% of warm curve inks. >> There's nothing mysterious or fancy about it. >> >> Roy >> >> On Sun, Jul 15, 2012 at 9:42 AM, Mel <chilterns@...> wrote: >> > Roy >> > >> > This has just prompted a query from myself. >> > >> > What if you are blending two curves >> > >> > Curve 1 UT14-7DSMatt-cool 70% highlights ?% midtones ?% shadows >> > Curve 2 UT14-7DSMatt-warm 30% highlights ?% midtones ?% shadows >> > >> > 7DSMatt is 7dayshop.com matt paper. >> > >> > Me >> > >> > --- In QuadtoneRIP@yahoogroups.com, Roy Harrington <roy@> wrote: >> >> >> >> That's it. >> >> Roy >> >> >> >> On Sat, Jul 14, 2012 at 2:06 AM, Sylvain M. <sylvain@> wrote: >> >> > >> >> > >> >> > Thx Roy. >> >> > >> >> > So you mean that the Highlights values in % are taken >> >> > for 100, then midtones values for 50 and shadows values for 0, am I >> >> > right? And between each value, the % is kind of progressive, that's all? >> >> > >> >> > >> >> > On Fri, 13 Jul 2012 10:15:33 -0700, Roy Harrington wrote: >> >> > >> >> >> As Paul >> >> > says just try it. >> >> >> But really its very simple: its just 3 points >> >> > 0,50,100 with straight lines >> >> >> connecting them. Since its all continuous >> >> > you can't detect any transitions. >> >> >> >> >> >> Roy >> >> >> >> >> >> >> >> -- >> >> Roy Harrington >> >> roy@ >> >> www.harrington.com >> >> >> > >> >> >> -- >> Roy Harrington >> roy@... >> www.harrington.com >> > > > > > ------------------------------------ > > Yahoo! Groups Links > > > -- Roy Harrington roy@... www.harrington.com
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Re: [QuadtoneRIP] Re: About curve blending function
2012-07-16 by Roy Harrington
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