PLAN B analog blog

Go direct

i hate coughs unless they are part of the track, and I especially hate 
idiots who talk!

Ross

(i think you can figure that out) wrote:
>
> Well, haven't decided what we're going to do with the audio recordings
> as yet, but given it's more than just one person involved it'll be up
> to some sort of discussion. First things first, I have to get that
> recording to the rest of the guys which should happen over the long w/e.
>
> We have two version of the evening's performance recorded: one from
> the desk which by and large is direct, and one from two stereo mics
> placed up at the desk for the audience reactions and a bit of the
> room. I need to do a mix of those, editng out the coughs and this one
> guy who talked a few times during the performances and then mixing the
> applause and Barry's intro in, and then it'll be sent to the group and
> then we'll decide the best place for the archive.
>
> - P
>
> --- In PLAN_B_analog_blog@yahoogroups.com 
> <mailto:PLAN_B_analog_blog%40yahoogroups.com>, RSA <wiard300@...> wrote:
> >
> > When can we download the recording? ;^)
> >
> > cheers
> > RSA
> >
> > ----- Original Message ----
> > From: (i think you can figure that out) <peter@...>
> > To: PLAN_B_analog_blog@yahoogroups.com 
> <mailto:PLAN_B_analog_blog%40yahoogroups.com>
> > Sent: Wednesday, November 21, 2007 12:20:17 PM
> > Subject: [PLAN_B_analog_blog] clarification on my Analoglive answers
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> > I said:
> >
> >
> >
> > From PG: Actually, all of the plyers took part in Secret Life of
> >
> > Semiconductors. I was doing nine voices in total, four driven from
> >
> > midi and
> >
> > five others which were variations of two different live patches. TPS
> >
> > ws takng
> >
> > one degree of the E major chord on his Serge, Alessandro had three
> >
> > voices - one
> >
> > from the EAR system and two from the Buchla 200e and Gary had yet
> >
> > another voice
> >
> > coming from the Wiard that had two vairations. So these guys coupled
> >
> > by my parts
> >
> > made the bulk of the main voice - the E maj chord.
> >
> >
> >
> > I don't want to confuse these facts and I stated them a bit unclearly.
> >
> > The midi parts mentioned were midi-driven live parts - What I meant
> >
> > by two 'live' patches is outside of the midi gates which drove the
> >
> > EG's, it was stand alone with no midi control of pitch or dynamics.
> >
> >
> >
> > One of these voices were fixed pitched on E with three different
> >
> > processes in the audio path - One straight form the two ramps (which i
> >
> > didn't end up using), one with the sine outs running though two
> >
> > Deopfer Wave multipliers, and one having the triangle outs of these
> >
> > two VCOs run through two Blacet Miniwaves (top left of the top row of
> >
> > the man cabinet set into Euro-height faceplates) which were both set
> >
> > to Bank 8 with stepped random via a Heisenberg to select which wave in
> >
> > the bank.
> >
> >
> >
> > The second non-midi-fied voice was a single VCO fattened up a bit via
> >
> > a Yamaha SPX90 which was underneath in the cabinet below, being
> >
> > controlled by Milton which had it's direction randomized by the Source
> >
> > Out on the Heisenberg. The Milton was picking off different degrees of
> >
> > the E major chord. Oroginally there were two VCOs in this patch, but
> >
> > I had to break one lose for the midi controlled voices (I actually
> >
> > added additional VCOs to the system the morning of the perfrmance for
> >
> > the other midi-controlled parts).
> >
> >
> >
> > All in all, it worked. Thank heavens we switched my piece to the
> >
> > first half...i actually enjoyed myself during intermission knowing we
> >
> > had pulled it off. I was a bit bummed that Richard's part was so low
> >
> > in the performance, but it's better in the recording. It was screaming
> >
> > in the last rehearsal.
> >
> >
> >
> >
> >
> >
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> >
> >
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