PLAN B analog blog

Well, haven't decided what we're going to do with the audio recordings
as yet, but given it's more than just one person involved it'll be up
to some sort of discussion.  First things first, I have to get that
recording to the rest of the guys which should happen over the long w/e.

We have two version of the evening's performance recorded: one from
the desk which by and large is direct, and one from two stereo mics
placed up at the desk for the audience reactions and a bit of the
room.  I need to do a mix of those, editng out the coughs and this one
guy who talked a few times during the performances and then mixing the
applause and Barry's intro in, and then it'll be sent to the group and
then we'll decide the best place for the archive.

- P


--- In PLAN_B_analog_blog@yahoogroups.com, RSA <wiard300@...> wrote:
>
> When can we download the recording? ;^)
> 
> cheers
> RSA
> 
> ----- Original Message ----
> From: (i think you can figure that out) <peter@...>
> To: PLAN_B_analog_blog@yahoogroups.com
> Sent: Wednesday, November 21, 2007 12:20:17 PM
> Subject: [PLAN_B_analog_blog] clarification on my Analoglive answers
> 
> 
> 
> 
> 
> 
> 
> 
> 
>   
> 
> 
>     
>             I said:
> 
> 
> 
> From PG: Actually, all of the plyers took part in Secret Life of
> 
> Semiconductors. I was doing nine voices in total, four driven from
> 
> midi and
> 
> five others which were variations of two different live patches. TPS
> 
> ws takng
> 
> one degree of the E major chord on his Serge, Alessandro had three
> 
> voices - one
> 
> from the EAR system and two from the Buchla 200e and Gary had yet
> 
> another voice
> 
> coming from the Wiard that had two vairations. So these guys coupled
> 
> by my parts
> 
> made the bulk of the main voice - the E maj chord.
> 
> 
> 
> I don't want to confuse these facts and I stated them a bit unclearly.
> 
>  The midi parts mentioned were midi-driven live parts - What I meant
> 
> by two 'live' patches is outside of the midi gates which drove the
> 
> EG's, it was stand alone with no midi control of pitch or dynamics.  
> 
> 
> 
> One of these voices were fixed pitched on E with three different
> 
> processes in the audio path - One straight form the two ramps (which i
> 
> didn't end up using), one with the sine outs running though two
> 
> Deopfer Wave multipliers, and one having the triangle outs of these
> 
> two VCOs run through two Blacet Miniwaves (top left of the top row of
> 
> the man cabinet  set into Euro-height faceplates) which were both set
> 
> to Bank 8 with stepped random via a Heisenberg to select which wave in
> 
> the bank.
> 
> 
> 
> The second non-midi-fied voice was a single VCO fattened up a bit via
> 
> a Yamaha SPX90 which was underneath in the cabinet below, being
> 
> controlled by Milton which had it's direction randomized by the Source
> 
> Out on the Heisenberg. The Milton was picking off different degrees of
> 
> the E major chord.  Oroginally there were two VCOs in this patch, but
> 
> I had to break one lose for the midi controlled voices (I actually
> 
> added additional VCOs to the system the morning of the perfrmance for
> 
> the other midi-controlled parts).
> 
> 
> 
> All in all, it worked.  Thank heavens we switched my piece to the
> 
> first half...i actually enjoyed myself during intermission knowing we
> 
> had pulled it off.  I was a bit bummed that Richard's part was so low
> 
> in the performance, but it's better in the recording. It was screaming
> 
> in the last rehearsal.  
> 
> 
> 
> 
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>     
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