Guys, thanks very much, I appreciate the feedback. I can definitely see some mistakes I've been making with the transfer method...it really surprised me to find out from several of you that 8 passes are sometimes needed, it honestly didn't occur to me that additional passes would make any difference. I have to make a fundamental decision...whether to try yet again to make the toner transfer method work....I mean, I DO have all the stuff, the special paper, the green film, the laminator, etc., etc., ...and just get CRAZY about cleaning boards, using solvent, doing a zillion passes, etc., and WORKING on the process until I finally get it to work RIGHT.... ....or to go straight to the photoresist method. I realized in writing this I accidentally lied...I had forgotten that even though I did buy an exposure setup and photoresist boards, etc., I never tried using that method...because the cost of those photoresist boards seemed too high to me. So....go crazy on the toner transfer method until I get it RIGHT, or go with photoresist and accept the higher cost of the boards.... Any consensus on this? Very Best, Charlie [Non-text portions of this message have been removed]
Message
from Charlie re process you would bet your life on
2010-08-30 by synchronousmosfet@transformationaudio.com
Attachments
- No local attachments were found for this message.