Digital BW, The Print

David,

Thanks for the input. That was exactly the sort of observation that we were
seeking. I hope that others will offer their similar comments and
suggestions for additional features, changes and improvements to the list to
make it as practical as possible. The idea was for a machine to serve the
general needs and wishes of fine art and other photographers, starting with
a 13 X 19 machine, but with the same features, benefits, workflows, and
software functions when ready to move up to a wider format. Maybe many of
these might be considered for the second release of the models recently
announced.

Regarding my previous request for some feedback on the appearance of very
apparent lines that covered the whole paper surface horizontally and
embossed look between the solid blacks and lighter tone that appeared when
using the MediaStreet Quadtone inks, RIP, and Quadtone GQ lustre paper, I
experimented with a matte paper and their was neither. Instead, on the matte
paper there was a nice even print. Next, to experiment with a satin rather
than a high lustre paper. Still would welcome some suggestions as to a good
satin finish (not lustre) with a bright white and a best source here in the
U.S..

Clarence W. Walker,���
Creative Expression Photography
http://www.creativeexpressiononline.com
Commercial, fine-art, and stock