[Digital BW] Re: Bowhaus and QuadTone RIP questions + Sepia toner
2003-03-28 by Paul Roark
Antonis, >...the IJC/OPM combo ... >The big difference from any other bw printing solution >is the ability to make your own profiles and update them as needed. This is one reason I have preferred the Photoshop/Epson driver workflow. How does the control of the inks or curves compare to the Photoshop curves approach? (Of course, control of each ink separately in a hextone printer would be a big improvement.) If similar curves are used, how many points does the software allow you to place on a curve? That is one of the limiting factors in the Photoshop/Epson workflow. By the way, I'm doing some final testing on a new Ultra Tone (UT) sepia toner that will be useable in both the Epson driver workflows and the Bowhaus system. It is light enough, due to the already warm nature of the UT gray inks, that a single toner can reach deep sepia and still be dotless in the highlights. With the 1160, the sepia-toned Ultra Tone prints are dotless even under a loupe. I am not going to bother with any other vm-s upgrade. I don't like the idea of adding color pigments to the gray inks to neutralize them and then adding more in the form of a toner to pull them to sepia. The UT carbon midtones are so solid, I don't want to compromise them. The IJC approach will now allow a single hextone to go both ways -- cool and sepia. I'm waiting patiently (not very) until Bowhaus writes the software for PC. In the meantime, going from warm (raw UT carbon) to sepia with the 1160 and 3000 is going to have to suffice. I'll just dedicate my 3000 to that UT inkset and keep the 7500 with the standard UT inks. I'll have some curves (cross-platform) for those who want to use the UT-Sepia variation on the 1160 or 3000. Paul http://www.PaulRoark.com