Digital BW, The Print

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "mbutler355" 
<mbutler355@...> wrote:
>

> I was just wondering, without being too technical, what kind of 
light you use to judge 
> prints by and know you nailed it. In the wet darkroom days, using 
mostly Ilford paper, I 
> could tell instinctively I nailed it with drydown and all that.

I think I have the English versions of these in 48 inch and 20 inch 
lengths

http://www.prismaecat.lighting.philips.com/LightSite/Whirlwind.aspx?
eca=LLPPLG&cpf=GBEREN&stg=ACT&lan=EN+&ecu=LMP|PLL|LP&cnt_key=TLD9GRAP+
|PHL&t=1&tree=0&scr_md=1111&nav=Null&loc=Null&leftnav=2_1&tt=BasicSpec
s

and

http://www.misterart.com/store/view.cfm?store=001&group_id=3233


I do not recommend the OTT lights which were first recommended to me.

When I get back to the UK nearly all lighting in my house's 
work/study and living rooms will be high CRI lighting.

ColinGRUK