on 8/14/01 6:06 PM, Paul Roark wrote: > The scanner says the glossy black is much darker. When the Photo Glossy > test strip is scanned along with an Archival Matte test strip, the Archival > Matte black reads a weak 91% compared to the glossy's 100%. The scanner > also says that the MIS black ink prints cooler on glossy paper than on > Archival Matte and that the glossy paper is warmer than the Archival Matte. > > My visual opinions differ a bit from the above. I happened to have gotten a bunch of papers to test recently, so I dropped in some Epson Photo glossy to have a look. I'm using your Piezo/generations blend, so I don't know how close a match it is to the all MIS brew, but I'll assume pretty close. I get the same dusting, and to my eye the gloss print has a lower Dmax than the Museo, Torchon, and Orwell, that I'm testing. (I'm using their more conventional names, but I purchased them more cheaply from media street). Between the dusting, and perhaps a tiny bit of bronzing trying to come through, I have to manipulate the paper so much to find the right reflectance of light, or lack there of, that it's nerve racking. My own suggestion is that a good matte paper is far better than fudging a gloss with pigments. If you really want to print on gloss and semi-gloss papers, which do have their merits with dye inks, try the Spectratones, by Lincoln Inks. They have a visible Dmax advantage. You still might prefer a good matte print though. Todd
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Re: [Digital BW] Glossy paper & MIS Variable-tone
2001-08-15 by Todd Flashner
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