What I have found with the Hannemuhle papers is that they scuff a lot more with Ultrachrome inks than other inksets like Cone Piezzo for instance that are much tougher. I belive the new formulation of Epson K3 was partially designed to address this issue and should go a long way to correcting this tenderness of the inks themselves. I have one client that says her framer makes her pay an additonal handling fee for non-sprayed Ultrachrome prints. Her prints always have large areas of pure black. The Piezzotone prints on the same William Turner paper don't give them problems. You do need to brush them before printing though. The Epson Ultrasmooth paper was made for the K2 inks. It doesn't scuff like that. As for Legion Matte. I used it for several years as an alternative to Enhanced Matte. It was great for black and white. It has good gamut and good dmax. However, it is loaded with brighteners and if left in the open air for a couple of years will definitely yellow out in the pure white exposed areas. That freaked me out. This is also true of Epson Enhanced Matte but not as pronounced because it don't have that much oba content. If you use L Matte you should put it behind glass or spray it. I just quit using it altogeter. It's not that cheap either. If you compare its price to the Innova Smooth Cotton rag there isn't that much of a price difference when it come to rolls. John
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[Digital BW] Re: Choosing a paper-Legion Matte
2006-02-03 by john dean
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