> Is there a more, for all practicle purposes, a worse scenario than > direct sunshine? One problem with direct sun is that it might not be representative of indoor display. Even window glass filters out the worst (shortest wavelength) UV, and that UV may have qualitatively different effects on some dyes and pigments than visible & indoor light. It also exaggerates the usefulness of UV sprays for indoor display. I think one has to look at all of these tests and just use good judgment as to how much to draw from each. The more tests the better. No accelerated fade test is going to be totally valid for any display condition, but it's nice when we see relative performances that are similar across a range of different tests and are consistent with our general understanding of the processes that are going on. Keep those informal south window tests coming. Note that even the selenium toned silver print is not holding up all that well. Nothing is forever. It turns out the selenium toning most of us were doing was only a partial tone. They are fading, and the non-buffered paper is becoming acidic. As for me, I'll stick to my "carbon on cotton" mantra. Paul www.PaulRoark.com
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RE: [Digital BW] Re: Lux and Fading
2006-01-31 by Paul Roark
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