Sorry Shilesh, didn't mean to pop your bubble. I had an interesting weekend last week: I took part in an outdoor art fair, little white tent and all. I had both inkjets and FB prints under glass on the walls, and inkjets only in flip-racks on the side. The most common question the entire weekend is 'what's a carbon- pigment inkjet print?' Good opportunity to educate a lot of people. Many also expressed surprise and amazement at how good the inkjets looked, on the wall next to some of my best FB prints. But there were a few-(not many mind you) that immediately said 'yea, they're good, but I can still see the difference'. That says to me we (or at least I) still have that 10% to go, though we are so much closer than a couple years ago. And yes, you can make the argument that it is it's own medium and should be accepted on its own terms, but face it-in most ways, for most uses, digital printing isn't really going to be a parallel technology. It is a replacement, and I for one don't want to have to make any excuses or feel like we have given up anything in quality for the sake of convenience or whatever. So pardon me if I keep pushing till we get there! (dirty job... etc.,etc.) Steve --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Shilesh Jani" <shileshjani@b...> wrote: > > Steve, > > Thanks a lot - you've just ruined the "feel-good" I was having! > > How's it going? Haven't seen you in a print exchange in a while. > Would love to see more of the Florida Swampland and the Greek Isles. > > Shilesh > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Steven > Karafyllakis" <steve@s...> wrote: > > > > Matte paper might well be reflectionless held in your hand, with no > > glass-but if you put a silver gel print, a semi-matte inkjet print > > and a matte inkjet print under glass and hang them on the wall, > they > > all become equally reflective, since you are now looking at the > > reflections of the glass. The factors that do not get equalized are > > the more important ones-the tonal range and dmax of the FB print, > > the better dmax and shadow detail retention of the semi-matte > > inkjet. So I for one (since we seem to be conducting another > > impromptu poll) am not ready to write of the FB look and > advantages. > > I've said it before, I'll say it again: I want it all. > > > > my 2c worth > > > > Steven Karafyllakis > > > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Shilesh Jani" > > <shileshjani@b...> wrote: > > > > > > Hear, hear. Now let us (Epson, or anyone else for that matter) > find > > a > > > the K ink which gives us Dmax in the 2 range on matte papers. > > > > > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Clayton > > Jones" > > > <cj@c...> wrote: > > > > > > > > Paul, > > > > > > > > >...they may have a paper that comes close to the fabled silver > > > print, > > > > >but after getting used to matte papers, I'm not sure I want to > > go > > > > >back to the silver print look for display prints. > > > > > > > > Exactly my sentiments, and "fabled" is a good word. I held on > > to > > > that > > > > standard in my mind for a long time, but last summer I searched > > > > through a box of old fiber base silver prints (mostly on > Oriental > > > > Seagull, Ilford MGFB and Galerie) looking for something and was > > > struck > > > > by how distracting and annoying the glare and reflections > were. > > I'd > > > > forgotten how bad it was and realized how much I've come to > love > > the > > > > completely reflectionless carbon ink prints. > > > > > > > > I think that was the final step in completely leaving behind > the > > > last > > > > traces of desire to recreate the look of emulsion prints of any > > > sort. > > > > I believe I have now, even subconsciously, fully accepted and > > > > embraced the fact that we are working with a different medium. > > > > > > > > Regards, > > > > Clayton > > > > > > > > > > > > Info on black and white digital printing at > > > > http://www.cjcom.net/digiprnarts.htm > > > > > > > > > >
Message
[Digital BW] Re: Printing On Gloss...Possible with Digital B&W?
2006-01-23 by Steven Karafyllakis
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