--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Steve Kale <stevekale@b...> wrote: > > I think one would classify this as a "dye" ink although the border between > dye and pigment is getting blurred and there have been advances in dye > longevity. We once debated here, and I don't think we at all resolved the > issue, the question as to at what point does a pigment become a dye. I'm > not a chemist but I would like to know a little bit more about this sort of > thing in lay terms. Pigment ink (inkjet pigment, that is) could actually be called "dye ink", but I suspect that corporate marketing considerations have caused this fact to be obscured (it being too confusing for the consumer to hear that organic dyes are also used to make these pigments). Better to have us think in terms of finely ground, immortal mineral pigments; of Raw Umber and Burnt Sienna and the like. But of course it ain't so. In the case of inkjet pigments, the organic dye molecules are not truly dissolved but rather caused to become aggregated (combined) into small, *solid* particles--i.e., tiny crystals each containing thousands of molecules. These dye particles can be kept in a stable liquid suspension (i.e. kept from clumping together) by forming a thin layer of a protective polymeric resin (or other stabilizers) on the surface of each particle. Dye molecules within these tiny crystals can absorb light (i.e., be colored) in a similar way as the dye in true solution. But not exactly the same. Why bother with the extra work? It's because the dye molecules inside those pigment particles can be considerably more stabile against light and chemical degradation by virtue of being in a "solid state" environment--rather than in solution-state (i.e., rather than being "molecularly disperse"). The downside of using dye in the solid state may be that the pigment dye is less "efficient"--i.e., has lower optical absorption (optical density) than comparable amount of dye in true solution (i.e., the so-called "dye ink"). Both kinds of dye can (conceptually at least) be combined within one ink; a relatively small amount of free (dissolved) dye component might serve to boost the color density (although possibly at the cost of some loss in overall fade-resistance). Phil
Message
Re: [Digital BW] Initial Nanochrome Testing
2006-01-13 by Phil Rose
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