Philip,
> ... I was looking at QTR 2200 profiles for UT7 inkset.
>I found majority profiles are using 3 or 4 inks only ...
I have not looked at the QTR curves. For some situations the light toner
might be able to give enough toning for a decent image, at least on a matte
paper. However, for best quality for neutral tones and especially for
glossy paper, I'd use all the C and M channel inks. In my view the LK and Y
would be the only unused spots for most situations.
However, you're best shot in a quad might be to use the UT7 C and LC
(carbons) and the Ut7 LM as the sole toner. In a modern quad like the C86,
that might work.
> Is it possible, using Epson drivers we need more than 3 or 4 inks, but
> use QTR we need only 3 or 4 for each paper?
QTR can be more efficient in this respect than the Epson driver. The LK,
for example, is really a wasted spot for B&W with the Epson driver.
However, I suspect, especially for glossy papers, at least 4 gray inks are
needed for best quality in neutral prints. The light toner only will
probably not be able to stop a visible cross-over in the shadows, and it may
flood the glossy papers there also.
Paul
www.PaulRoark.com
>
> -----Original Message-----
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of Paul
> Roark
> Sent: Saturday, January 07, 2006 11:17 AM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: RE: [Digital BW] Questions about MIS UT7 setup and dilutions
>
>
> Philip,
>
> > For most papers we only need about 3 or 4 inks/positions from UT7
> > so it is possible to use UT7 in 4 or 6 color Epson printers.
> > Is this correct?
>
> No, UT7 needs the cyan and magenta hextone channels, in addition to the
> black ink. It has light and dark warm carbon and cool toner inks. A
> 4-ink
> printer only has 3 spots aside from the black. The UT1 is the
> variable-tone
> inkset that will work in a 4-ink ("quadtone") printer.
>
> > Also is it possible to buy only 3 inks if only use PhotoRag for warm
> or
> > cold tone, and 5 inks for both? And keep other position with original
> > Epson inks?
>
> The yellow position is the only one that is really optional and open.
> If
> you are using a rip, you can also do without the LK.
>
> With the Epson driver, you probably could put almost anything in the Y
> spot.
> To turn on the black ink with the Epson driver that ink does need to be
> "full-on" in the curves set at 100%. While the black ink is substituted
> for
> all the midtones at that point, there is a slight risk that too high a
> gamut
> ink in the Y position would affect the tone of the image in the deep
> shadows.
>
> You can buy the inks in bulk or by the individual cartridge.
>
> > MIS said EZN has only two different inks.
>
> The EZ midtone inks are neutral or warm. That's it. They both have the
> same density.
>
> > How about UT7? All seven are different inks?
>
> Yes.
>
> Paul
> www.PaulRoark.com
>
>
>
>
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>Message
RE: [Digital BW] Questions about MIS UT7 setup and dilutions
2006-01-08 by Paul Roark
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