Hello Tyler, >Clayton, I haven't tried it. Oh too bad, I was hoping you might have some info about it. >Frankly I think we part ways with our preferences here. Please understand I am really not interested in whether anyone agrees with me or has the same preferences. I hope this thread has not given that impression. I'm not trying to change anyone's mind about what they like. I started this whole thing by expressing an observation and opinion with the thought that it might be helpful for anyone considering one of these printers. I've been amazed and frustrated because people's responses seem to indicate a complete misunderstanding or misinterpretation of my words. People continue to react to only one part of it, and (I'm sorry to say) you have just done it again. My repeated posts on this are simply attempts to clarify misunderstanding. >However, dead neutral may not appeal to me either. Most of my >favorite prints by any number of people made numerous traditional >ways have a hint of hue, or hue variation... I am amazed by this statement because I just earlier in this thread re-explained this exact point (for the 4th time) to someone else who seemed to have gotten fixated on the word 'neutral'. Maybe this word triggers some sort of subconscious emotional reaction and the mind shuts off and nothing else registers. I have tried hard to explain my point as clearly as I can, yet every time someone thinks I'm pushing neutral prints on everyone. ----------------------------------------------------- So, here we go, one more (hopefully last) time: 1) I am not in any way shape or form suggesting that neutral prints are what everything should be. I was just using that as an example. I also used sepia as an example. 2) The main point is that when color inks are used to emulate any kind of tone, from neutral to sepia, selenium toned Gallerie or whatever, the various hues of the inks, however subtle, can be seen. To me it's just not convincing, I don't like it. 3) If someone doesn't mind that it's fine with me and I don't want to change their mind. 4) I think I'm sensitive to the colors because I've been using BO for several years and am used to seeing its pure tones, neutral through warm (pure meaning without any color inks). 5) I'm making a point of this because I think anyone coming into digital BW printing should be aware of the issue. Especially because K3 uses yellow, which good RIPS and toned inks avoid (potential longevity issues). If they choose to go this route fine, but let it be a conscious decision. 6) Readers, please do not infer from my remarks that I like only neutral prints. I do like them, but I also like warm sometimes. I keep 6 or more papers on hand, which render Eboni BO in tones ranging from neutral to very warm. After I work up an image on EEM proof paper I print it on these other papers to determine which it looks best on. My final prints span the range. -------------------------------------------------------- Back to Tyler >Also, since I print for others, I can't jump ship too quickly on >inksets I use. Understood. >I have it from a trusted friend and expert printer, who beta tested >them, that they are very impressive. But they are neutral, Does your friend know how the neutrality was achieved? IOW, is there color toner in them? >...neutral,...so I might not like them as much, and you may love >them <G>. (Again, I don't necessarily like everything neutral.) What I got from the announcement was that because they are neutral they require various papers to achieve different tones, just as with Eboni BO. But I'm not sure what they mean by a neutral ink. You can't call Eboni neutral or warm, it depends what paper it's on. On Kayenta it's neutral. On Wm Turner it's extremely warm. So I wonder what they mean. If it prints neutral on PR then it's cooler than Eboni (which is medium warm on PR). I saw somewhere that research is being done with white pigments, to be mixed with black to get grays. I wonder if K7 is done that way...Can you get any light on this from your friend? Thanks. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
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Re: 2400 B&W And Coloration
2005-08-06 by Clayton Jones
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