Hi Carolyn, Yes, you're right about the "burnished" coating aspect. But the problem I had previously with a brush is that I couldn't somehow break loose the lumps especially on Hahn. WT which will eventually fall off after printing. I have tried a variety of brushes to no avail. But with a "grabbing" cloth I found it works very well with such paper as Hahn. WT. With this cloth I just gently wipe and I could feel it picking stuff off of the paper. I'm sure vigorous buffing using this cloth will lead to burnishing. But using the cloth I'm using now there is no need to wipe very hard at all. The way I test this is print a large swatch of pure black and after the ink has cured for a period of time I'd run my finger across it trying to get some flakes. I'd even use the cloth to wipe across it to see if flakes develop. If I got no flakes, the method works. And I don't think I got any burnishing either because I didn't lose any dmax after using the cloth. Anyway if the drafting brush works for you that's great. Because any white specks that show up is very disheartening. Thanks, --nick --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Carolyn Frayn <carolyn@u...> wrote: > For german etching, william turner and photoRag, I use a drafting > brush, natural bristle, brisk brushing. Using a cloth I found that it > 'burnished' the paper coating. People I know using these 'flaking' > papers have good results with brushing. > > Carolyn
Message
[Digital BW] Re: Velvet fine art and flaking
2005-02-26 by Nick H. Nugent
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