The other really useful too re- dodge and burn w/ masks is the gradient, which I find especially useful when dealing with old negatives with light leaks, streaks, etc. Thanks, Todd, for the concise yet complete explanation- it will help me even though I thought I knew how to do it! I for one would like to hear more... Bill Morse PhotoProspect Cambridge, MA on 10/29/01 9:40 PM, Todd Flashner wrote: I prefer to work with adjustment layers, layer masks, and curves. It's a little complicated at first, because you need to understand curves, selections, and layer masks, all at once, but once you get it, doing it is cake. ...Painting black on the mask makes it so your curve will not affect that area, painting white makes it so it will affect that area, grays allow for partial effect. ...Anyway, I'll stop now until I perceive you care to know more about the finer points of this process... [Non-text portions of this message have been removed]
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Re: [Digital BW] Re: Scanning to Printing...
2001-10-30 by Bill Morse
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