In a message dated 9/17/2004 9:12:45 AM Pacific Standard Time, DigitalBlackandWhiteThePrint@yahoogroups.com writes: > Paul, > > 3200K as a target for gray balance ? I'm surprised. Where do we > ever find (or need) a display color temperature like that ? > > The original drivers for the 10000 CF, 2000P and possibly the > 5500 were changed because the metamerism was a problem and the > droplet size allowed a longer black generation to suppress it. > The 9500 + 7500 never got that new driver as the droplet size > wouldn't allow it. The 10000CF that I have here shows that long > black generation and it isn't nice. The printers mentioned were > all to be used for the graphic market too so I guess 5500K as the > color temperature is much more likely. > > Ernst > I remember, at the PPA digital cafe in 2000, the Epson prints on display, made with the 9500 or 2000P with archival inks all had tungsten lights on them on the easel. Methinks Paul is correct. When I made canvas prints from the 9500 OEM Archival inks, they looked best in Tungsten light with the canned profiles from Epson. Claude [Non-text portions of this message have been removed]
Message
Tungsten Balance of Epson Archivals
2004-09-17 by claudej1@aol.com
Attachments
- No local attachments were found for this message.