remononaz1 <homershannon@...> wrote: > ** > > > I am considereing moving from UT-14 to Ebony 6 for non-glossy black and > white prints. A review of the two ink sets shows the following ink > descriptions: > > Eboni-6 > K = Eboni (The standard MIS Associates carbon matte black ink) - use UT-14 > K > C = EB6C (30% Eboni, similar in density to the standard MIS UT dark gray > density) > LC = EB6LC (9% Eboni, similar in density to the MIS UT Light Carbon > density) > M = EB6M (18% Eboni, similar in density to standard LK) > LM = EB6LM (6% Eboni, similar in density to standard LLK) > Y = EB6Y (2% Eboni, a very light "LLLK") > That looks like wording from an older version of the PDF. You might want to be sure you have the latest http://www.paulroark.com/BW-Info/Eboni-6.pdf > ... I have the PR Clearbase, plenty of Eboni black and some spare carts on > hand. > > It looks like the E6 Cyan postion and the UT-14 Light Cyan are the same. > No, they use different carbons. The UT14 midtone carbons are the MIS glossy carbon, which is much warmer than Eboni-based carbons on all inkjet papers. The other four positions are just further dilutions, which I can make from > the Eboni and clear base. > Yes. See http://www.paulroark.com/BW-Info/Ink-Mixing.pdf for more on ink mixing. The PDF also has the MIS links for the various clear bases. Be sure you have the correct clear base. Don't use C6A in a 1400 for printing. That original mix used only Photo Flo for a surfactant/wetting agent, worked find in my old 7500, but is not up to the 1400's 1.5 pl drop size head. C6B works fine for most papers. C6C is recommended only if you are going to print on Arches uncoated watercolor paper, although it works just as well as C6B for all matte papers also. What are 'standard LK' and 'standard LLK'? > That refers to MIS's color UC replacement inkset - MIS K4. So, they would be MIS K4-LK and K4-LLK. They are the warmer, glossy carbons. Is this a reference to the 2K2LK ink combination? (Which is not Eboni.) > No. The 2K2LK inkset is a dye inkset -- very different; excellent for high gloss but not in the same league as Eboni-6 for archival fine art. The dye inkset uses the Claria/Noritsu dyes plus a clear dye base (which MIS also sells). See http://www.paulroark.com/BW-Info/1400-Claria-Noritsu-2K2LK.pdf for more information on this dye inkset. > Instructions for the Eboni-6 note that the parking pad should be cleaned > between use with dye in and the E6 ink. > You can ignore this with respect to my generic base. The apparent incompatibility is between MIS's Eboni-6 dilution base and Epson UC inks. (Note that Eboni MK is not incompatible with the Epson UC inks. It's the MIS Eboni-6 dilution base that may be an issue.) ... the move from color dies to UT-14 is utra simple; load carts, let the > printer do its head cleaning process, do a nozzle check and start printing. > How serious are the cleaning requirements with the E6 ink? > > > It's just as simple with the move to Eboni-6 in a 1400. I have run Eboni-6, Claria, and MIS glossy pigs (like UT14) in the same 1400 with no problems. I do think printing a few purge patterns, in addition to the usual cleaning pattern the printer will run, helps flush the residual inks out of the head. Good luck with Eboni/Carbon-6. Do try the Epson Hot Press (Bright and Natural) as well as Premier Art Smooth BW if you like relatively neutral tones. Paul www.PaulRoark.com [Non-text portions of this message have been removed]
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Re: [Digital BW] UT-14 to Eboni-6
2012-09-10 by Paul Roark
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