could be, I'm also working from old stock. Since it's uncoated it's possible there is some OB in the paper itself for batch consistency, not uncommon and would therefore vary per batch. Tyler --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "dlruckus" <dlruckus@...> wrote: > > Another comment. Sometime back it was stated that blacklight showed that the Somerset contained OBAs.I hadn't seen that but wondered about it so I used a monochrometer to illuminate the paper and scanned at about 2 nm uv bandwidths from 330 nm up to near 400 nm.There was no visible florescence over that range. > I've been using from stock that I purchased quite some time ago so maybe something changed in the paper since then? > > Duane > > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "tboleyyh" <tyler@> wrote: > > > > another quick comment, don't mean to hijack the thread- I've been doing a fair amount of with with uncoated papers over the years, even recently, and the old standby- Somerset Velvet Radient White- remains a favorite and should not be overlooked for this kind of work. The non white papers are also nice for appropriate projects. For a buff paper, Arches Cover is a favorite. > > Tyler > > > > >
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Re: Diluted Eboni and uncoated papers. It was: Mixing for carbon-6 inks
2010-08-23 by tboleyyh
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