Digital BW, The Print

I think that is a great idea, post a demo on U Tube and send that to every museum and major gallery in the world, and do that every month for a year. 

In regard to print fade protection, museums do have it together in this era and are very obsessed about low light levels. Often the levels are so low you can barely see the work, especially color.

The problem is 99% of the art work produced doesn't end up in those environments. It is better to build a monochrome solution inkset that lasts in real world conditions because that is exactly where most of it will end up. I know, I see it every week at peoples homes. And it is very true that the OEM approaches are getting quite good at that these days.

john



--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Gary " <gary@...> wrote:
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> Mark,
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> Just a thought... it would be interesting if you could post a few images on
> your site of what the testing area looks like and or a U tube of the testing
> process. I think it would be informative and interesting to see a few behind
> the scenes looks of the actual  testing location. You may get some
> additional exposure millage out the images. 
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>  
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> Keep up the good work!
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> Thanks,
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> Gary Wagner
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> garywagner.com
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> [Non-text portions of this message have been removed]
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