mr_blue_2u wrote:
From the Feb. 1986 issue of Keyboard magazine, programmed by John
Melcher. "... sounds best when it's played in the upper three
octaves. Use pitch-bend to slide into notes".
DCO 1
11 Octave 3
12 Waveform 1
13 16' 0
14 8' 1
15 4' 1
16 2' 0
17 Level 31
MODE
18 DCO 2
DCO 2
21 Octave 3
22 Waveform 2
23 16' 1
24 8' 0
25 4' 1
26 2' 1
27 Level 31
31 Interval 12
32 Detune 0
NOISE
33 Level 1
VCF
41 Cutoff 34
42 Resonance 9
43 Kbd Track 0
44 Polarity 2
45 EG INT 6
46 Trigger 2
CHORUS
48 On/Off 0
DEG 1
51 Attack 14
52 Decay 18
53 Breakpoint 30
54 Slope 26
55 Sustain 24
56 Release 20
DEG 2
61 Attack 6
62 Decay 26
63 Breakpoint 26
64 Slope 28
65 Sustain 18
66 Release 20
DEG 3
71 Attack 0
72 Decay 10
73 Breakpoint 13
74 Slope 23
75 Sustain 22
76 Release 20
MG
81 Frequency 7
82 Delay 5
83 DCO 3
84 VCF 0
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