--- In DTXpress@yahoogroups.com, "adamh52683" <ash0151@r...> wrote: > Some of you here seem to be VERY familiar with the module and its > capabilities. I'm wondering if you don't share your custom sound > settings or kits because giving them out would be like losing a > trade secret ;-) Makes me wonder what a dtxpressII is really > capable of if I was only as knowledgeable as some of you other guys! Adam, In my case (and I justify answering only because I have been around here a long time, not because I consider myself an expert on the DTXpress), I never went around posting my settings because I'm not convinced that anyone else would be hopped up about them. I've actually spent a lot of time with hi hats. I've been outspoken about them as being a particular weakness of electronic kits, in both of their aspects as physical components and as sampled/modeled voices. I'm proud of having had a hand in bringing Visu-lite's Yamaha- compatible hi hat to market, which from my perspective went a long way toward making the experience of playing an electronic hi hat approximate that of playing an acoustic one. But that kind of convergence isn't everyone's cup of tea. We've spent quite a few posts on this board investigating how electronic hi hats do their work, and how they might be improved. OGD has done a lot of dissection and analysis in words and pictures. I feel like hi hats are a perpetual work in progress. Even the ddrum hat, which is my hands-down favorite for nuance and realistic sound, suffers from the same kind of short attention span in the half-open area that traditionally has afflicted the Yamahas and Rolands. The TD-20 may well represent a genuine advance in that respect, and the DTXPressIII shows definite promise. I can only imagine how good the DTXtremeIIS is. It's taken a while for the next generation to arrive. When I used the DTXpressI as my hi hat module, the only hi hat that I liked was a tweaked version of the one in the GM Jazz kit. I used it as the basis for every hat that I ever created in my user kits. It's the only one that ever had the high-frequency snap that I tend to favor. I'll gladly release the settings for OGD's spreadsheet, but I am hardly proud of my lack of imagination (I must admit that even with the wealth of options in the ddrum sound library, I keep coming back to one hi hat in my kits there, too). Maybe it's age, but the things that people come up with on this board, and others, never cease to amaze me. As long as I've been doing this, I keep learning about new territory to be explored and discovering people with interesting ideas about using and programming their kits. The guys with seniority certainly don't have a lock on anything. Ed
Message
Re: Here's a decent hi-hat sound...
2004-01-21 by emf
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