Bas, It will certainly be interesting to see how you solve the problem. As you say, some people buy a second module--often a discontinued one from Yamaha, Alesis, or Roland--and some connect a midi interface with its own inputs, allowing extra pads to use the sounds in the dtx module. I don't think that you'll be able to break into the module to create another input, but then again, I don't have an electronics degree. Keep us informed. Ed --- In DTXpress@yahoogroups.com, "drumsix12" <sixpack1@w...> wrote: > Ed, > > you're right. It starting to annoy me already. > I'm a It technician with an Electrnics degree (hope I say it right in > english) so I'm already thinking of solution somehow. > The simple way is to buy an extra Module, but like all the others, we > don't like to pay a lot of money for a simple solution. > > When i have a solution I will mail you and the group with it. > > It's also not that big of a problem, I use the kit only for practice > with the band. On live gigs I only use part of the kit for some > sampling an alternative sounds for songs like U2, beautiful day. > > Again, thanks for your clear help and hope to hear from you in the > future. > > --- In DTXpress@yahoogroups.com, "liberatusvirus" > <liberatusvirus@y...> wrote: > > Bas, > > > > If you're like many of us, someday that unused section of the > barpad > > will start to gnaw at you, and you'll get an unconrollable urge for > > more inputs. Or maybe not. We'll see. > > > > Ed > > > > --- In DTXpress@yahoogroups.com, "drumsix12" <sixpack1@w...> wrote: > > > Aha, > > > > > > now I get the picture. > > > Thanks very much for your response. > > > I alaways thougth that a dualt trigger pad just had two triggers > > in > > > it, but that is not the case. > > > > > > Well, it's solved now, Thanks very much for the outline. > > > > > > The only problem I now have is that I can only use one pad of my > > bar > > > pad. But than again, I have one ride cymbal and two crash cymbals > > and > > > that was the main idea. > > > > > > Thanks Jim and Ed for your response. > > > > > > > > > Bas > > > > > > > > > --- In DTXpress@yahoogroups.com, "liberatusvirus" > > > <liberatusvirus@y...> wrote: > > > > Bas, > > > > > > > > Someone else had a similar question back in 1872, I think. I > > give > > > > you my answer from that era, because my brain seemed to be > > working > > > > better then than it is now. The answer to your question > revolves > > > > around the difference between piezo triggers and membrane > > switches. > > > > > > > > Input 9/10 will handle two mono FSRs or two piezos but not one > > > piezo > > > > and one membrane switch from a "stereo" pad or cymbal, because > > > > stereo pads and inputs have a totally different electronic > > makeup > > > > than their dual-zone, or mono, counterparts. Inputs 1-8, as > > > > combinations of 1 piezo/1 (or 2) membrane switches (or FSRs), > > would > > > > seem, in principle, to permit a triggering opportunity for the > > two > > > > independent FSRs of a BP 80 or its equivalent if you could just > > get > > > > to them. The problem is that membrane switches on stereo pads > > are > > > > not independent triggers. Their open and closed positions > > > (membranes > > > > are basically open/close toggles) determine what sound the > piezo > > is > > > > going to make--whether the sound programed to the rim, the > body, > > or > > > > a choke; the switches are, if you will, slaves to the piezo. > The > > > > timing of how the interaction between them takes place, not to > > > > mention the delicacy of their relative physical locations in > the > > > > pad, is complicated. But the upshot is that creative cabling > > won't > > > > help you; those inputs are by nature single piezo inputs. You > > > can't > > > > treat the "stereo" or "trio" inputs as taking multiple mono > > feeds, > > > > whether piezos or FSRs. > > > > > > > > Ed > > > > > > > > --- In DTXpress@yahoogroups.com, "drumsix12" <sixpack1@w...> > > wrote: > > > > > Thanks jim, > > > > > > > > > > that's clear. > > > > > > > > > > But can you tell me why that is. > > > > > Isn't it that a stereo pad is nothing else than a pad with > two > > > > > triggers in it. > > > > > It also has two connections (stereo jack) so what's the > > > difference > > > > > (elctrical) between a stereo pad and for instance a bar pad. > > > > > How does the module see wether it's a stereo pad or two > > > individual > > > > > pads. > > > > > > > > > > Thanks in advance. > > > > > > > > > > bas > > > > > > > > > > > > > > > --- In DTXpress@yahoogroups.com, Ratzo <ratzo@t...> wrote: > > > > > > On Mon, 24 Mar 2003 09:53:31 -0000, you wrote: > > > > > > > > > > > > > > > > > > >What my intention was, is that I plug the KP65 into > trigger > > 1. > > > > > > >When i hit the base it would be pad1, and when i hit the > > extra > > > > pad > > > > > > >connected to the input on the kp65 it should be RIM1. > > > > > > >The rim1 never worked on the KP65. The odd thing is that > > when > > > I > > > > > > >connect a tp80s pas (dual trigger) to input 1, it all > works > > > > > fine.The > > > > > > >normal pad is pad1, and the rimshot in the pad is > > rim1....... > > > > > > > > > > > > > >So, I'm confused here. Apparently there is a great > > difference > > > > > between > > > > > > >the electrical inputs on the tp80s and the KP65. > > > > > > > > > > > > It's simple. You can't have one pad trigger pad1 and > > another > > > pad > > > > > > trigger rim1. To trigger the pad and rim on any input, you > > > have > > > > to > > > > > > use a stereo pad like the TP80S. Input 9/10 can not be > > > > triggered by > > > > > > the rim of a stereo pad. > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > ____________________________ > > > > > > > > > > > > Jim
Message
Re: KP65 and extra cymbal ??
2003-03-26 by liberatusvirus
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