--- In AN1x-list@y..., "Ed Edwards" <edward.edwards@v...> wrote: > > Moog leads get used so often. When you've got a couple of guitars, a > > bass, and a drum set it's hard to cut through the mix. Yup, It's really context specific. The frequency plot of each group of musicians and each song is different. So "jutting out" enough that you can be heard but not enough that you sound screechy is a variable thing. I do find that those moogy leads work too. Maybe because there is so much energy around the fundamental. My current favorite (very much like a classic moog patch) is a saw on the bottom, two pulse waves tuned a fifth above and a saw on top. It creates a ridge just above the fundamental before the overtones get softer. So you can keep it mellow (with the LPF) but it still has character. Also, when using oscillator sync I used to tune the synced oscillator above the other oscillator so I could play with those lovely high overtones, but lately I tune it below the other oscillator. Not as pretty, but much more useful in a band context. Cheers, Jerry
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Re: [AN1x] re: AN1X volume
2002-10-19 by Jerry Aiyathurai
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